Media image of the Russian Orthodox Church and the challenge of the pandemic

N. S. Zimova, E. Fomin
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Abstract

In the digital age, social media have become especially relevant in creating the image of the Russian Orthodox Church. They have their own characteristics and provide a different image of Orthodoxy in comparison to traditional media.The article presents the results of a study of the media image of the Russian Orthodox Church during the coronavirus lockdown in Russia from January 3 to April 30, 2020. We used a social media analysis system “Kribrum”. At the first stage, content on the Russian Orthodox Church and coronavirus was analysed, and the top 35 influential media were compiled. Taking into account the political attitude of the media, they were divided into state (conservative), neutral (without an editorial agenda); oppositional (liberal). The rating did not include Orthodox media, which indicates the low influence of the Church on the consciousness of users. The basis of the information space is formed by non-religious and opposition media with high ratings. At the second stage, with using the method of content analysis, the image of the Russian Orthodox Church and its constituent elements were analysed – the image of the Orthodox faith, the Patriarch, priests, believers. Two poles are highlighted, between which the images of the Russian Orthodox Church are built. In the state media, the Russian Orthodox Church is presented as a state institution, a patriotic organisation uniting all Orthodox Christians. It performs a psychological function and helps believers to survive the period of a pandemic through prayers. Oppositional (liberal) media show the Russian Orthodox Church as an archaic, self-serving and pro-government organisation that has turned out to be unable to prepare for a pandemic and to make the right decisions so that believers do not get coronavirus. Rhetorical, technical and analytical (social technologies) methods of framing the image of the Russian Orthodox Church are revealed.It can be argued that the Internet is dominated by a stereotypical negative and distorted image of the Russian Orthodox Church. This leads to a violation of the understanding of the social functions of the Church and a decrease in its role in public life.
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俄罗斯东正教的媒体形象和疫情的挑战
在数字时代,社交媒体在塑造俄罗斯东正教形象方面变得尤为重要。与传统媒体相比,他们有自己的特点,并提供了一个不同的正统派形象。这篇文章介绍了对2020年1月3日至4月30日俄罗斯冠状病毒封锁期间俄罗斯东正教媒体形象的研究结果。我们使用了一个社交媒体分析系统“Kribrum”。在第一阶段,对俄罗斯东正教和冠状病毒的内容进行了分析,并汇编了前35家有影响力的媒体。考虑到媒体的政治态度,他们被分为国家(保守派)、中立派(没有编辑议程);反对的(自由的)。该评级不包括东正教媒体,这表明教会对用户意识的影响很低。信息空间的基础是由收视率高的非宗教和反对派媒体形成的。第二阶段,运用内容分析的方法,对俄罗斯东正教的形象及其构成要素——东正教、牧首、牧师、信徒的形象进行了分析。突出显示了两根柱子,柱子之间建造着俄罗斯东正教的图像。在官方媒体上,俄罗斯东正教会被描述为一个国家机构,一个团结所有东正教徒的爱国组织。它发挥着心理功能,通过祈祷帮助信徒度过疫情时期。反对派(自由派)媒体显示,俄罗斯东正教会是一个古老的、自私的亲政府组织,事实证明,它无法为新冠疫情做好准备,也无法做出正确的决定,以免信徒感染冠状病毒。揭示了俄罗斯东正教形象的修辞、技术和分析(社会技术)方法。可以说,互联网上充斥着对俄罗斯东正教的负面和扭曲的刻板印象。这导致了对教会社会职能的理解受到侵犯,教会在公共生活中的作用也减少了。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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发文量
48
审稿时长
8 weeks
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