{"title":"Life of Crops: Notes on Investigative Memorialisation","authors":"Philipp Sattler, Dubravka Sekulić, M. Tomic","doi":"10.1177/14704129211067952","DOIUrl":null,"url":null,"abstract":"At Aflenz an der Sulm in south-eastern Austria, digging into the soil to see what material evidence of recent history it holds reflects a broader process of investigation. It uncovers the entanglements that produced landscape as a material and an immaterial construction. The article focuses on Aflenz unpacking its contemporary landscape that covers layers of (invisible) history – obliviated relations of politics, finance, and business – which formed it as a WWII labour and concentration camp. Considering also the subsequent processes of forgetting unearths the land and its soils as the constant and thus an unwilling archive and thereby the necessary object of inquiry. The article proposes investigation and ‘investigative memorialisation’ put forward by artist Milica Tomić, to consider such knowledge as a public matter, positioning it as an open-ended public form that can speak of the complexities afforded and deposited in the soil as memory.","PeriodicalId":45373,"journal":{"name":"Journal of Visual Culture","volume":"20 1","pages":"563 - 574"},"PeriodicalIF":0.4000,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Visual Culture","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1177/14704129211067952","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
Abstract
At Aflenz an der Sulm in south-eastern Austria, digging into the soil to see what material evidence of recent history it holds reflects a broader process of investigation. It uncovers the entanglements that produced landscape as a material and an immaterial construction. The article focuses on Aflenz unpacking its contemporary landscape that covers layers of (invisible) history – obliviated relations of politics, finance, and business – which formed it as a WWII labour and concentration camp. Considering also the subsequent processes of forgetting unearths the land and its soils as the constant and thus an unwilling archive and thereby the necessary object of inquiry. The article proposes investigation and ‘investigative memorialisation’ put forward by artist Milica Tomić, to consider such knowledge as a public matter, positioning it as an open-ended public form that can speak of the complexities afforded and deposited in the soil as memory.
期刊介绍:
journal of visual culture is essential reading for academics, researchers and students engaged with the visual within the fields and disciplines of: · film, media and television studies · art, design, fashion and architecture history ·visual culture ·cultural studies and critical theory · gender studies and queer studies · ethnic studies and critical race studies·philosophy and aesthetics ·photography, new media and electronic imaging ·critical sociology ·history ·geography/urban studies ·comparative literature and romance languages ·the history and philosophy of science, technology and medicine