Tinjauan Intrinsik Dua Lakon Drama Konvensional dan Inkonvensional Putu Wijaya: Bila Malam Bertambah Malam dan Edan

Dapy Fajar Raharjo
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引用次数: 0

Abstract

The result of research shows that Putu Wijaya has been done reformer in writing play drama, that is conventional form become inconventional form. The reformer that Putu Wijaya done in writing play drama can be identified 1) conventional plot commonly linear and intimate, while inconventional plot is random or loose; 2) conventional plot depend on the development of problem and conflict, while inconventional plot problem show and gone without solution; 3) conventional dialog drama is reformed from dialog to show individual character player become dialog that express group character; 4) conventional drama individu player express certain individu character, while inconventional drama player express certain group character; 5) conventional drama have explicit identity and show certain character, while inconventional player known as sociology and physiology identity; and 6) conventional player character so influence the beauty player structure, while inconventional player character the player can’t be growth following the plot.
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Wija两个常规和非常规戏剧动作的内在考察:《当夜晚来临》和《Edan》
研究结果表明,Putu Wijaya在剧本创作上做了一次改革家,即传统的形式变成了不便的形式;2) 常规的情节依赖于问题和冲突的发展,而非常规的情节问题则表现出来并没有解决;3) 传统的对话剧由对话改为表现个体角色扮演者为表现群体角色的对话;4) 传统戏剧个体玩家表现的是某种个性,而传统戏剧玩家表现的则是某种群体性;5) 传统戏剧具有明确的身份并表现出一定的个性,而非传统的角色则被称为社会学和生理学的身份;(6)常规玩家角色影响了美女玩家结构,而非常规玩家角色则不能跟随剧情成长。
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发文量
10
审稿时长
12 weeks
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