Brutalised, Broken and Betrayed

Sam Edwards
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Abstract

This article examines how the British Falklands veteran was depicted in three late 1980s films: Resurrected (1989), Tumbledown (1988) and For Queen and Country (1989). Like many contemporaneous depictions of American Vietnam veterans, all three productions explore the difficult homecoming of the “returning soldier”, paying close attention to questions of health, well-being, national identity, class and race. To this extent, all three films “use” the figure of the veteran for pointed social and political commentary, with the mores and values of 1980s Britain the subject of engaged critique: from unemployment and the collapse of class solidarity, to the pettiness of government bureaucracy, to the racism of the State and its agents. In doing so, 1980s era depictions of the Falklands veteran established a powerful template which continues to shape and inform perceptions of the “stigmatized veteran” in contemporary British culture.
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野蛮、破碎和背叛
本文探讨了这位英国福克兰群岛老兵在20世纪80年代末的三部电影中的形象:《复活》(1989年)、《翻滚》(1988年)和《为了女王和国家》(1989)。与许多同期对美国越战老兵的描述一样,这三部作品都探讨了“归国士兵”艰难的回家之路,密切关注健康、福祉、民族认同、阶级和种族等问题。在这种程度上,这三部电影都“使用”了这位退伍军人的形象来进行尖锐的社会和政治评论,20世纪80年代英国的习俗和价值观成为了激烈批判的主题:从失业和阶级团结的崩溃,到政府官僚机构的琐碎,再到国家及其代理人的种族主义。在这样做的过程中,20世纪80年代对福克兰群岛老兵的描述建立了一个强大的模板,它继续塑造和影响当代英国文化中对“被污名化的老兵”的看法。
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22
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