Recent Studies in Early Modern Conscience

IF 0.6 2区 文学 0 LITERATURE, BRITISH ISLES ENGLISH LITERARY RENAISSANCE Pub Date : 2023-01-01 DOI:10.1086/722733
Joshua R. Held
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Abstract

This essay covers scholarship of conscience in early modern England, with a focus on literary representations and their contexts. Conscience is treated most often in modern writing as a concept, with particular if waning relevance in religion and politics. Yet many early modern thinkers classified conscience as a vital faculty of the mind or soul, which enabled a person to know with someone, whether God, another human being, the self (reflexively), or some combination of all these. It thus functioned at a nexus of relationships that this essay studies in terms of casuistry, gender, history, law, religion, and—most intricately—literature. While surveying all these early modern English contexts influenced by conscience, this essay focuses on literary representations because they reveal the most refined insights on the varied discordant understandings of it. The continuing richness of scholarship on this concept in early modern England suggests its enduring vitality in several contentious areas, even as its etymological off-shoot “consciousness” sustains some of the modern discussions that in early modern times revolved around “conscience” itself. [J.H.]
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近代早期良知研究近况
这篇文章涵盖了现代早期英国的良知学术,重点关注文学表征及其语境。良心在现代写作中最常被视为一个概念,尤其是在宗教和政治中的相关性逐渐减弱的情况下。然而,许多早期现代思想家将良知归类为心灵或灵魂的一种重要力量,它使一个人能够与某人了解,无论是上帝、另一个人、自我(反射性地),还是所有这些的某种组合。因此,它在一个关系的纽带上发挥作用,这篇文章从诡辩、性别、历史、法律、宗教,以及最复杂的文学角度进行了研究。在调查所有这些受良知影响的早期现代英语语境时,本文将重点放在文学表征上,因为它们揭示了对它的各种不和谐理解的最精细的见解。在早期现代英国,关于这一概念的学术不断丰富,表明它在几个有争议的领域具有持久的生命力,尽管其词源上的“意识”支撑着现代早期围绕“良知”本身的一些现代讨论。[J.H]
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来源期刊
CiteScore
0.70
自引率
0.00%
发文量
28
期刊介绍: English Literary Renaissance is a journal devoted to current criticism and scholarship of Tudor and early Stuart English literature, 1485-1665, including Shakespeare, Spenser, Donne, and Milton. It is unique in featuring the publication of rare texts and newly discovered manuscripts of the period and current annotated bibliographies of work in the field. It is illustrated with contemporary woodcuts and engravings of Renaissance England and Europe.
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