being-in-blackfeminineflesh

IF 0.4 2区 艺术学 0 THEATER TDR-The Drama Review-The Journal of Performance Studies Pub Date : 2023-09-01 DOI:10.1017/S1054204323000230
Ra Malika Imhotep
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引用次数: 0

Abstract

In the Dirty Southern vernacular medium of the twerk video, performances of eroticized Black femininity by digital performance artist BeTTy BuTT and others knead into traumas of ecological dispossession, sexual vulnerability, and patriarchal violence. As an aesthetic survival strategy forged in the Black sexual economies of the contemporary Dirty South, being-in-blackfeminineflesh occasions a critical reappraisal of the performative labors of contemporary Black feminine figures, how our bodyminds witness them, and how we write about them.
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黑人女性主义
在肮脏的南方方言媒体twerk视频中,数字行为艺术家BeTTy BuTT和其他人对色情黑人女性气质的表演融入了生态剥夺、性脆弱和父权暴力的创伤。作为在当代肮脏南方的黑人性经济中形成的一种美学生存策略,身处黑人女性主义中,有时会对当代黑人女性形象的表演劳动、我们的身心如何见证它们以及我们如何书写它们进行批判性的重新评估。
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来源期刊
CiteScore
0.80
自引率
33.30%
发文量
63
期刊介绍: TDR traces the broad spectrum of performances, studying performances in their aesthetic, social, economic, and political contexts. With an emphasis on experimental, avant-garde, intercultural, and interdisciplinary performance, TDR covers performance art, theatre, dance, music, visual art, popular entertainments, media, sports, rituals, and the performance in and of politics and everyday life. Each fully illustrated issue includes: -Articles on theatre, dance, popular entertainments, rituals, politics, and social life: the whole broad spectrum of performance -Original contributions to performance theory -Editorial comments, critical analysis, and book reviews -Articles by social scientists, cultural commentators, theorists, artists, scholars, and critics -Interviews with performers, choreographers, directors, composers, and performance artists -Texts of performance works -Translations of important new and decisive archival writings on performance
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