{"title":"Cultural Identity and Sustainability in Santal Indigenous Community of Birbhum District, India","authors":"Asmita Basu","doi":"10.1007/s11759-020-09413-8","DOIUrl":null,"url":null,"abstract":"<div><p>The aboriginal inhabitants residing in India are known as the Tribal population. These indigenous people are scattered in different parts of the country including the state of West Bengal in the eastern part of India. In West Bengal, different districts such as Birbhum, Purulia and Midnapore are important seats of the indigenous inhabitants and their unique cultural and historical background, distinct from the other populations of the region. The Santhal population formed a larger portion in these districts during the early part of 20th century. They possess remarkable cultural identity which is expressed through their songs, music, arts and crafts, their unique indigenous forms of belief and styles of worship. The present research is based on an extensive field survey of the Santhal villages located in the Birbhum district in eastern India. The study aims to highlight the unique artistic manifestations of the Santhal tribe focusing on the sohrai paintings, the themes that are reflected point out the uniqueness of their heritage, tradition and cultural identity. It is also important to sustain the cultural aspects, both tangible and intangible of this indigenous population which involves an inter-disciplinary approach. Corporate Social Responsibility implemented by different companies in India for social development may also aid in sustaining the indigenous community and hence build a mutually beneficial corporate-community engagement model.</p></div>","PeriodicalId":44740,"journal":{"name":"Archaeologies-Journal of the World Archaeological Congress","volume":"16 3","pages":"492 - 504"},"PeriodicalIF":0.3000,"publicationDate":"2020-11-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1007/s11759-020-09413-8","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Archaeologies-Journal of the World Archaeological Congress","FirstCategoryId":"1085","ListUrlMain":"https://link.springer.com/article/10.1007/s11759-020-09413-8","RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHAEOLOGY","Score":null,"Total":0}
引用次数: 1
Abstract
The aboriginal inhabitants residing in India are known as the Tribal population. These indigenous people are scattered in different parts of the country including the state of West Bengal in the eastern part of India. In West Bengal, different districts such as Birbhum, Purulia and Midnapore are important seats of the indigenous inhabitants and their unique cultural and historical background, distinct from the other populations of the region. The Santhal population formed a larger portion in these districts during the early part of 20th century. They possess remarkable cultural identity which is expressed through their songs, music, arts and crafts, their unique indigenous forms of belief and styles of worship. The present research is based on an extensive field survey of the Santhal villages located in the Birbhum district in eastern India. The study aims to highlight the unique artistic manifestations of the Santhal tribe focusing on the sohrai paintings, the themes that are reflected point out the uniqueness of their heritage, tradition and cultural identity. It is also important to sustain the cultural aspects, both tangible and intangible of this indigenous population which involves an inter-disciplinary approach. Corporate Social Responsibility implemented by different companies in India for social development may also aid in sustaining the indigenous community and hence build a mutually beneficial corporate-community engagement model.
期刊介绍:
Archaeologies: Journal of the World Archaeological Congress offers a venue for debates and topical issues, through peer-reviewed articles, reports and reviews. It emphasizes contributions that seek to recenter (or decenter) archaeology, and that challenge local and global power geometries.
Areas of interest include ethics and archaeology; public archaeology; legacies of colonialism and nationalism within the discipline; the interplay of local and global archaeological traditions; theory and archaeology; the discipline’s involvement in projects of memory, identity, and restitution; and rights and ethics relating to cultural property, issues of acquisition, custodianship, conservation, and display.
Recognizing the importance of non-Western epistemologies and intellectual traditions, the journal publishes some material in nonstandard format, including dialogues; annotated photographic essays; transcripts of public events; and statements from elders, custodians, descent groups and individuals.