Is Creativity Masculine? Visual Arts College Students’ Perceptions of the Gender Stereotyping of Creativity and Its Influence on Creative Self-Efficacy

IF 1.1 4区 教育学 0 ART International Journal of Art & Design Education Pub Date : 2023-03-08 DOI:10.1111/jade.12454
Ning Luo, Tao Guan, Jinling Wang
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引用次数: 1

Abstract

This study investigated visual arts college students’ perceptions of the gender stereotyping of creativity and the influence of this stereotyping on creative self-efficacy. The sample consisted of 1198 Chinese visual arts college students. The results showed that (a) both male and female students identified stereotypically masculine traits as more important to creativity than stereotypically feminine traits are, (b) male students demonstrated higher creative self-efficacy than their female counterparts did, and (c) students’ gender significantly moderated the effect of the gender stereotyping of creativity on creative self-efficacy. Specifically, the gender stereotyping of creativity had a positive effect on male students and a negative effect on female students. These findings revealed that gender stereotypes dominate concepts of creativity in Chinese art education and may hinder female students’ development of creative self-efficacy, resulting in gendered inequality in the visual arts field. The implications of these findings for visual arts education in China are discussed.

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创造力有男子气概吗?视觉艺术专业大学生对创造力的性别刻板印象及其对创造力自我效能感的影响
本研究调查了视觉艺术学院学生对创造力的性别刻板印象,以及这种刻板印象对创造力自我效能的影响。样本包括1198名中国视觉艺术学院学生。结果表明:(a)男性和女性学生都认为刻板印象中的男性特质比刻板印象中女性特质对创造力更重要;(b)男性学生表现出比女性学生更高的创造力自我效能感,(c)学生的性别显著调节了性别刻板印象对创造力自我效能的影响。具体而言,对创造力的性别陈规定型观念对男学生产生了积极影响,对女学生产生了负面影响。这些发现表明,在中国艺术教育中,性别刻板印象主导着创造力的概念,并可能阻碍女学生创造性自我效能的发展,从而导致视觉艺术领域的性别不平等。讨论了这些发现对中国视觉艺术教育的启示。
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来源期刊
CiteScore
2.90
自引率
9.10%
发文量
47
期刊介绍: The International Journal of Art & Design Education (iJADE) provides an international forum for research in the field of the art and creative education. It is the primary source for the dissemination of independently refereed articles about the visual arts, creativity, crafts, design, and art history, in all aspects, phases and types of education contexts and learning situations. The journal welcomes articles from a wide range of theoretical and methodological approaches to research, and encourages submissions from the broader fields of education and the arts that are concerned with learning through art and creative education.
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