Supporting Capacity Building for Archives in Africa: initiatives of the Cooperative Africana Materials Project (CAMP) since 1995

J. Schultz
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While building the collection involved some direct purchases of microfilm from Africa and Europe, the role of collaboration among U.S. and later African institutions enhanced collections and expanded the scope of CAMP's work. The history of these initiatives prior to 1995 has been documented by several CAMP members.2Expanding on these writings, this article will examine collaboration efforts between CAMP and African archives giving particular interest to history and political economy. Issues concerning access, collection, and preservation of African archival materials continue to reflect the legacy of colonialism. CAMP has tried to carefully navigate these unequal power relations. Through collaboration, it seeks access and preservation of African materials for institutions and scholars residing largely in the Global North. However, collaboration between institutions in the Global North and South may still appear as one-way flows of information. African archival materials, in physical and increasingly digital forms, continue to experience this dynamic. With this in mind, CAMP-funded initiatives undertake preservation in situ or return preserved materials to their home African institution(s). In return, CAMP asks that its members be granted microfilm or digital access to these materials. While this arrangement has worked between CAMP and numerous African institutions, it has not suited others. Initiating projects in African countries with strict legislation protecting the export of national cultural heritage remains difficult. With the growth of projects digitising African heritage, tensions persist between protective policies of African governments opposing a \"virtual stampede\" (Lalu, 2007) versus seemingly greater access for all.African archives, like African mineral resources, are a commodity usually exchanged unequally between the Global North and South. The rise of digitisation projects, funded by U.S. and European institutions, may continue to make Africans largely consumers and not producers of their own documentary heritage. One way to mitigate this problem is supporting capacity building for self-sustaining African preservation efforts. CAMP pursued this model beginning in the 1990s. Resources were first directed to the National Archives of Senegal to support microfilm equipment purchase and onsite training. Starting in 2010, CAMP again funded onsite stafftraining and equipment purchases to digitally preserve the Kabarole District Archives in western Uganda. These efforts suggest thoughtful capacity building initiatives may expand African-initiated archival projects. Even with the conscientious work of CAMP librarians and scholars, the history and political economy of preservation and access to African archival materials remain contentious.Political Economy of Archives in AfricaLibraries and archives are social constructs. They are created and informed by present economic, social, and political conditions as much as the histories they claim to represent. Archival materials are also commodities, reflecting the social relations of capitalist exchange throughout much of the world. As South African archivist Michele Pickover suggests, archives are sought-after commodities, the soul of which is a fragmented construct of the past. Archives are really not so much about what information they contain, but how that information can be used, hidden, or destroyed to suit the needs of ordinary individuals, researchers, archivists, Capital and the State (2005). …","PeriodicalId":89063,"journal":{"name":"African research & documentation","volume":"1 1","pages":"3-12"},"PeriodicalIF":0.0000,"publicationDate":"2013-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"6","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"African research & documentation","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/s0305862x00021907","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 6

Abstract

IntroductionIn May 1963, discussions between the African Studies Association (U.S.), the Midwest Interlibrary Center (now Center for Research Libraries), and Africana librarians from twelve North American institutions helped create the Cooperative Africana Microform Project (CAMP). Owing to the rise in digital information and preservation formats, CAMP renamed itself the Cooperative Africana Materials Project in 2010. Its mission has been to collect and preserve African newspapers, serials, and ephemera not typically held at U.S. institutions. As its original name suggests, microfilming continues to be an important method of preserving CAMP holdings. While building the collection involved some direct purchases of microfilm from Africa and Europe, the role of collaboration among U.S. and later African institutions enhanced collections and expanded the scope of CAMP's work. The history of these initiatives prior to 1995 has been documented by several CAMP members.2Expanding on these writings, this article will examine collaboration efforts between CAMP and African archives giving particular interest to history and political economy. Issues concerning access, collection, and preservation of African archival materials continue to reflect the legacy of colonialism. CAMP has tried to carefully navigate these unequal power relations. Through collaboration, it seeks access and preservation of African materials for institutions and scholars residing largely in the Global North. However, collaboration between institutions in the Global North and South may still appear as one-way flows of information. African archival materials, in physical and increasingly digital forms, continue to experience this dynamic. With this in mind, CAMP-funded initiatives undertake preservation in situ or return preserved materials to their home African institution(s). In return, CAMP asks that its members be granted microfilm or digital access to these materials. While this arrangement has worked between CAMP and numerous African institutions, it has not suited others. Initiating projects in African countries with strict legislation protecting the export of national cultural heritage remains difficult. With the growth of projects digitising African heritage, tensions persist between protective policies of African governments opposing a "virtual stampede" (Lalu, 2007) versus seemingly greater access for all.African archives, like African mineral resources, are a commodity usually exchanged unequally between the Global North and South. The rise of digitisation projects, funded by U.S. and European institutions, may continue to make Africans largely consumers and not producers of their own documentary heritage. One way to mitigate this problem is supporting capacity building for self-sustaining African preservation efforts. CAMP pursued this model beginning in the 1990s. Resources were first directed to the National Archives of Senegal to support microfilm equipment purchase and onsite training. Starting in 2010, CAMP again funded onsite stafftraining and equipment purchases to digitally preserve the Kabarole District Archives in western Uganda. These efforts suggest thoughtful capacity building initiatives may expand African-initiated archival projects. Even with the conscientious work of CAMP librarians and scholars, the history and political economy of preservation and access to African archival materials remain contentious.Political Economy of Archives in AfricaLibraries and archives are social constructs. They are created and informed by present economic, social, and political conditions as much as the histories they claim to represent. Archival materials are also commodities, reflecting the social relations of capitalist exchange throughout much of the world. As South African archivist Michele Pickover suggests, archives are sought-after commodities, the soul of which is a fragmented construct of the past. Archives are really not so much about what information they contain, but how that information can be used, hidden, or destroyed to suit the needs of ordinary individuals, researchers, archivists, Capital and the State (2005). …
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支持非洲档案能力建设:1995年以来非洲材料合作项目(CAMP)的倡议
1963年5月,非洲研究协会(美国)、中西部图书馆间中心(现为图书馆研究中心)和来自12个北美机构的非洲图书馆员之间的讨论帮助创建了非洲合作微缩项目(CAMP)。由于数字信息和保存格式的兴起,CAMP于2010年更名为合作非洲材料项目。它的使命是收集和保存非洲的报纸,连载,以及美国机构通常不持有的蜉蝣。正如它最初的名字所暗示的那样,缩微摄影仍然是保存CAMP藏品的重要方法。虽然建立这些收藏需要从非洲和欧洲直接购买缩微胶卷,但美国和后来的非洲机构之间的合作增加了收藏,扩大了CAMP的工作范围。1995年以前这些倡议的历史已被几个CAMP成员记录下来。在这些著作的基础上,本文将考察CAMP与非洲档案馆之间的合作努力,特别是对历史和政治经济的兴趣。有关获取、收集和保存非洲档案材料的问题继续反映出殖民主义的遗产。坎普一直试图小心地驾驭这种不平等的权力关系。通过合作,它为主要居住在全球北方的机构和学者寻求获取和保存非洲材料。然而,全球北方和南方机构之间的合作可能仍然表现为单向的信息流动。非洲的实物和越来越多的数字形式的档案材料继续经历着这种动态。考虑到这一点,营地资助的倡议进行就地保存或将保存的材料返回其非洲机构。作为回报,CAMP要求其成员获得这些材料的微缩胶片或数字访问权限。虽然这种安排在CAMP和许多非洲机构之间起了作用,但并不适合其他机构。在有严格立法保护本国文化遗产出口的非洲国家开展项目仍然很困难。随着非洲遗产数字化项目的发展,非洲各国政府反对“虚拟踩踏”(Lalu, 2007)的保护政策与对所有人的更大访问之间的紧张关系持续存在。非洲的档案就像非洲的矿产资源一样,是一种通常在全球南北之间不平等交换的商品。由美国和欧洲机构资助的数字化项目的兴起,可能会继续使非洲人主要成为他们自己的文献遗产的消费者,而不是生产者。缓解这一问题的一个方法是支持非洲自我维持保护工作的能力建设。CAMP从20世纪90年代开始推行这种模式。资源首先拨给塞内加尔国家档案馆,用于购买缩微胶片设备和现场培训。从2010年开始,CAMP再次资助现场员工培训和设备购买,以数字化保存乌干达西部Kabarole地区档案。这些努力表明,深思熟虑的能力建设倡议可能会扩大非洲发起的档案项目。即使CAMP的图书馆员和学者兢兢业业地工作,非洲档案材料的保存和获取的历史和政治经济仍然存在争议。非洲档案政治经济学图书馆和档案都是社会建构。它们是由当前的经济、社会和政治条件以及它们声称所代表的历史所创造和影响的。档案材料也是商品,反映了世界上大部分地区资本主义交换的社会关系。正如南非档案管理员Michele Pickover所说,档案是受欢迎的商品,它的灵魂是过去的碎片结构。档案实际上不在于它们包含什么信息,而在于如何使用、隐藏或销毁这些信息,以满足普通个人、研究人员、档案保管员、资本和国家的需要。…
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