Islam and Modernism: the Iranian revolution of 1906 . By Vanessa Martin, pp. ix, 245. London, I. B. Tauris & Co., 1989. £29.50.

D. Morgan
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引用次数: 3

Abstract

description of the contents with appropriate philological or textual historical observations is followed by its provenance and physical description, with interesting remarks on owners' inscriptions and readers' notes or any other details relevant to its subsequent history. In the case of the more elaborately illustrated manuscripts, which demand often disproportionally long entries, some entries have benefited from thesis work by students of the Universities of Rome and Venice towards a degree in Oriental Studies. Where these have not been available for consultation, as in the case of a Khamsa of Nizaml, Shlraz c. 1540-80 in the Braidense in Milan (pp. 176-7, Fondo Castiglioni 22) Piemontese has limited himself to brief preliminary identifications. His remarks on condition are also relevant notably to cases of rebinding and consequent disordering of the sequence. These, however, bring up the curious fact that the most common damage to the paper is water-staining. Given the primitive interior lighting available to Muslim scribes and scholars one would prima facie expect burns or oil-stains from candles or lamps which had been knocked over to be far commoner. How did the manuscript get to the water or the water to the manuscript? Perhaps it was an Italian fire-brigade.
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伊斯兰教与现代主义:1906年伊朗革命。凡妮莎·马丁著,第9页,245页。伦敦,i.b. Tauris & Co., 1989。£29.50。
通过适当的语言学或文本历史观察来描述内容,然后是其出处和物理描述,对所有者的铭文和读者的注释进行有趣的评论,或与其后续历史相关的任何其他细节。在更详细说明的手稿的情况下,往往需要不成比例的长条目,一些条目受益于罗马和威尼斯大学学生的论文工作,以获得东方研究学位。在没有这些资料供咨询的地方,如1540- 1580年在米兰Braidense的Nizaml, Shlraz的Khamsa(第176-7页,Fondo Castiglioni 22页),Piemontese仅限于简要的初步鉴定。他关于条件的评论也与重结合和随后的序列紊乱的情况有关。然而,这就引出了一个奇怪的事实:纸张最常见的损坏是水渍。考虑到穆斯林文士和学者可以使用的原始室内照明,人们会初步认为蜡烛或被打翻的灯的烧伤或油渍要常见得多。手稿是如何到达水或者水是如何到达手稿的?也许是意大利消防队打来的。
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