A GENTLEMAN IN EXILE: LIFE AND BACKGROUND OF THE COMPOSER JOHN RAVENSCROFT

IF 0.2 1区 艺术学 0 MUSIC EARLY MUSIC HISTORY Pub Date : 2012-08-08 DOI:10.1017/S0261127912000034
P. Barbieri, M. Talbot
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引用次数: 1

Abstract

John Ravenscroft (1664/5–1697) is today best known for the fact that in 1695 he published a set of church sonatas that closely imitate Corelli in their style. The discourse around Ravenscroft has ever since focused on these twelve sonatas and the significance of their relationship to their illustrious model, to the exclusion of a later set of sonatas of different kind but equal merit. Ravenscroft's fascinating and unusual biography has likewise been totally ignored. The article examines the background of his distinguished, Catholic-leaning family in England during a long, turbulent period when Catholics were severely disadvantaged and his short but productive period spent in Rome, aided by newly discovered archival documents and a rich variety of other sources, both old and more recent, most of which have previously been overlooked by music historians.
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一个流亡的绅士:作曲家约翰·雷文斯克罗夫特的生活和背景
约翰·拉文斯克罗夫特(1664/5-1697)在今天最为人所知的是,他在1695年出版了一套模仿科雷利风格的教堂奏鸣曲。从那以后,围绕拉文斯克罗夫特的论述就集中在这十二首奏鸣曲上,以及它们与杰出典范之间关系的重要性,而排除了后来一系列不同类型但同等价值的奏鸣曲。拉文斯克罗夫特引人入胜、与众不同的传记同样被完全忽视了。这篇文章通过新发现的档案文件和丰富多样的其他资源,包括旧的和最近的,大部分被音乐历史学家所忽视的,他在罗马度过的短暂但富有成效的时期,以及他在英国的杰出的天主教家庭的背景,天主教徒处于严重不利地位。
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来源期刊
CiteScore
0.60
自引率
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期刊介绍: Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It gives preference to studies pursuing interdisciplinary approaches and to those developing new methodological ideas. The scope is broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society.
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FRIAR WILLIAM HEREBERT’S CAROLS RECONSIDERED PERSPECTIVES FOR LOST POLYPHONY AND RED NOTATION AROUND 1300: MEDIEVAL MOTET AND ORGANUM FRAGMENTS IN STOCKHOLM SERMONS, HOMILIARIES AND PLAINSONG FOR THE NIGHT OFFICE: THE CASE OF STEPHEN THE PROTOMARTYR JOHANNES VETULUS DE ANAGNIA’S PLATONIST MODEL OF MUSICAL TIME A VISION OF THE NEW JERUSALEM: THE TEXT OF STRIGGIO’S ECCE BEATAM LUCEM
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