John Cunningham, The Consort Music of William Lawes 1602–1645 . Woodbridge: The Boydell Press, 2010. xxiv+350 pp. ISBN 978-0-954-68097-8.

IF 0.2 1区 艺术学 0 MUSIC EARLY MUSIC HISTORY Pub Date : 2012-08-08 DOI:10.1017/S0261127912000125
Jonathan P. Wainwright
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Abstract

but it would have been so good to have a copy of the music with the coherent Cambrai text, certainly copied long after Regis’s death but at least copied at Cambrai Cathedral, no great distance from Soignies and indeed the cathedral church of that diocese. There are some editing problems, to be sure; and there is one chunk of text that is in entirely the wrong place. But the upshot looks a lot more sensible, so it is a pity that Gallagher neither printed it nor included it in the recording. But that of course brings us back to the matter of editions. It looks as though in most other cases Gallagher now has all the material together for a new edition of Regis. It would be so great if he could provide this.
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约翰·坎宁安,《威廉·劳斯的协奏曲》1602-1645。伍德布里奇:博伊德尔出版社,2010年。xxiv+350 pp. ISBN 978-0-954-68097-8。
但如果能有一份有连贯的康布雷文本的音乐副本就太好了,当然是在里吉斯死后很久才被复制的,但至少是在康布雷大教堂复制的,离索瓦尼不远,实际上是那个教区的大教堂。当然,这里存在一些编辑问题;还有一段文字完全放错了地方。但结果看起来要合理得多,所以很遗憾加拉格尔既没有把它印出来,也没有把它收录在录音中。当然,这又把我们带回到版本的问题上。似乎在其他大多数情况下,加拉格尔现在把所有的材料都集中在了新版的《瑞吉斯》上。如果他能提供这个就太好了。
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期刊介绍: Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It gives preference to studies pursuing interdisciplinary approaches and to those developing new methodological ideas. The scope is broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society.
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FRIAR WILLIAM HEREBERT’S CAROLS RECONSIDERED PERSPECTIVES FOR LOST POLYPHONY AND RED NOTATION AROUND 1300: MEDIEVAL MOTET AND ORGANUM FRAGMENTS IN STOCKHOLM SERMONS, HOMILIARIES AND PLAINSONG FOR THE NIGHT OFFICE: THE CASE OF STEPHEN THE PROTOMARTYR JOHANNES VETULUS DE ANAGNIA’S PLATONIST MODEL OF MUSICAL TIME A VISION OF THE NEW JERUSALEM: THE TEXT OF STRIGGIO’S ECCE BEATAM LUCEM
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