{"title":"De rebus incertis: Stephen of Liège and the Divine Office","authors":"J. Grier","doi":"10.1017/S0961137120000108","DOIUrl":null,"url":null,"abstract":"ABSTRACT Most standard musicological references attribute to Bishop Stephen of Liège (†920) the composition of three Offices: for the Holy Trinity, the feast of Saint Lambert (bishop of Liège in the early eighth century to whom the city's cathedral is dedicated) and the Invention of Saint Stephen the protomartyr. From statements by Richarius, Stephen's successor at Liège, and Folcuin of Lobbes (both from the tenth century), and the eleventh-century account of Anselm of Liège, along with the evidence in Brussels, Bibliothèque royale, MS 14650-59 (a tenth-century manuscript produced at Liège during Stephen's episcopate), I conclude that Stephen of Liège did have a hand in the Offices for Saint Lambert and the Holy Trinity. Although he may have composed chants for Saint Lambert, he more likely revised existing ones for the Trinity. No tenth- or eleventh-century testimony attests the attribution of the Office for the Invention of Saint Stephen to Bishop Stephen.","PeriodicalId":41539,"journal":{"name":"Plainsong & Medieval Music","volume":"29 1","pages":"119 - 136"},"PeriodicalIF":0.5000,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/S0961137120000108","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Plainsong & Medieval Music","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/S0961137120000108","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MEDIEVAL & RENAISSANCE STUDIES","Score":null,"Total":0}
引用次数: 1
Abstract
ABSTRACT Most standard musicological references attribute to Bishop Stephen of Liège (†920) the composition of three Offices: for the Holy Trinity, the feast of Saint Lambert (bishop of Liège in the early eighth century to whom the city's cathedral is dedicated) and the Invention of Saint Stephen the protomartyr. From statements by Richarius, Stephen's successor at Liège, and Folcuin of Lobbes (both from the tenth century), and the eleventh-century account of Anselm of Liège, along with the evidence in Brussels, Bibliothèque royale, MS 14650-59 (a tenth-century manuscript produced at Liège during Stephen's episcopate), I conclude that Stephen of Liège did have a hand in the Offices for Saint Lambert and the Holy Trinity. Although he may have composed chants for Saint Lambert, he more likely revised existing ones for the Trinity. No tenth- or eleventh-century testimony attests the attribution of the Office for the Invention of Saint Stephen to Bishop Stephen.
期刊介绍:
Plainsong & Medieval Music is published twice a year in association with the Plainsong and Medieval Music Society and Cantus Planus, study group of the International Musicological Society. It covers the entire spectrum of medieval music: Eastern and Western chant, secular lyric, music theory, palaeography, performance practice, and medieval polyphony, both sacred and secular, as well as the history of musical institutions. The chronological scope of the journal extends from late antiquity to the early Renaissance and to the present day in the case of chant. In addition to book reviews in each issue, a comprehensive bibliography of chant research and a discography of recent and re-issued plainchant recordings appear annually.