THE FEAST OF THE SEVEN SORROWS OF THE VIRGIN: PIETY, POLITICS AND PLAINCHANT AT THE BURGUNDIAN-HABSBURG COURT

IF 0.2 1区 艺术学 0 MUSIC EARLY MUSIC HISTORY Pub Date : 2016-09-28 DOI:10.1017/S026112791600005X
E. Thelen
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Abstract

Devotion to the Virgin of Seven Sorrows flourished in the Low Countries in the late fifteenth century during a period of recovery from civil war, famine and economic instability. The Burgundian-Habsburg court took a special interest in this popular lay movement and, in an unusual move, sponsored a competition to generate a liturgy – a plainchant office and mass – for the growing devotion. This article identifies new sources for the text and music of the Seven Sorrows liturgy and ties them to the court’s competition. An examination of the surviving office and mass demonstrates the texts’ dependence on an earlier Marian celebration of the Compassion of the Virgin. The reworking of this older devotion reveals that the plainchant competition and the creation of the new Seven Sorrows liturgy were part of the court’s political agenda of restoring peace and unity to their territories.
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处女七悲的盛宴:勃艮第-哈布斯堡宫廷的虔诚、政治和朴素
15世纪后期,在从内战、饥荒和经济不稳定中恢复的时期,对七苦圣母的虔诚在低地国家盛行。勃艮第-哈布斯堡宫廷对这一流行的世俗运动特别感兴趣,并采取了一项不同寻常的举措,赞助了一场竞赛,以产生一种礼拜仪式——一种朴素的办公室和弥撒——以满足日益增长的虔诚。本文确定了七愁礼拜仪式的文本和音乐的新来源,并将它们与宫廷的竞争联系起来。对幸存的办公室和弥撒的检查表明,文本依赖于早期玛丽安对圣母怜悯的庆祝。这种旧的奉献的重新设计表明,平淡的竞争和新的七悲礼拜仪式的创建是宫廷恢复其领土和平与统一的政治议程的一部分。
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来源期刊
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期刊介绍: Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It gives preference to studies pursuing interdisciplinary approaches and to those developing new methodological ideas. The scope is broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society.
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FRIAR WILLIAM HEREBERT’S CAROLS RECONSIDERED PERSPECTIVES FOR LOST POLYPHONY AND RED NOTATION AROUND 1300: MEDIEVAL MOTET AND ORGANUM FRAGMENTS IN STOCKHOLM SERMONS, HOMILIARIES AND PLAINSONG FOR THE NIGHT OFFICE: THE CASE OF STEPHEN THE PROTOMARTYR JOHANNES VETULUS DE ANAGNIA’S PLATONIST MODEL OF MUSICAL TIME A VISION OF THE NEW JERUSALEM: THE TEXT OF STRIGGIO’S ECCE BEATAM LUCEM
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