Lex Facit Regem v. Quod Principi Placuit: Dramatic Symbols of Crown and Common Law

IF 0.6 3区 历史学 Q1 HISTORY Journal of Legal History Pub Date : 1999-04-01 DOI:10.1080/01440362008539585
P. Raffield
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引用次数: 1

Abstract

Through an analysis of three masques presented at the Inns of Court between 1561 and 1613, this article examines the relationship between the Crown and the common law, and the competing claims of each to represent and embody the incontestable source of constitutional supremacy. An examination of the texts of these masques reveals the nature of the ideal constitution sought by common lawyers, and the role envisaged for the monarch within this Utopian state. He/She is depicted as the iconic symbol of English nationhood and unity. But the overriding theme of the masques is that the common law has existed since time immemorial and is endowed with divine authority. Consequently its sovereignty cannot be challenged by any earthly king or queen.
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事实法诉地方主理法:王权的戏剧性象征与普通法
通过对1561年至1613年间在英国法院学院展出的三幅假面画的分析,本文考察了王室与普通法之间的关系,以及两者在代表和体现宪法至上的无可争议的源泉方面的相互竞争的主张。对这些假面书文本的研究揭示了普通法学家所追求的理想宪法的本质,以及在这个乌托邦国家中为君主设想的角色。他/她被描绘成英国国家和统一的标志性象征。但《假面》最重要的主题是,普通法自古以来就存在,并被赋予了神圣的权威。因此,它的主权不能被任何世俗的国王或王后挑战。
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来源期刊
CiteScore
0.70
自引率
0.00%
发文量
20
期刊介绍: The Journal of Legal History, founded in 1980, is the only British journal concerned solely with legal history. It publishes articles in English on the sources and development of the common law, both in the British Isles and overseas, on the history of the laws of Ireland, Scotland, and Wales, and on Roman Law and the European legal tradition. There is a section for shorter research notes, review-articles, and a wide-ranging section of reviews of recent literature.
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