Judging Surf Culture: The Making of A White Exemplar Masculinity During the 1966 Natal and South African Surfriding Championships Held in Durban

Glen L. Thompson
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引用次数: 5

Abstract

The 1966 Natal and South African Surfriding Championships was a founding moment in the history of the sport of surfing in South Africa and shaped the future trajectory of South African surfing culture. It did so by prioritising the masculine surfing styles of white men who surfed competitively. The championships were held over the first weekend in July in Durban – South Africa’s “Surf City” – during the peak winter swell season. It was the first ever national surf contest organised under the auspices of the newly formed national surfing association, the South African Surfriders’ Association. It was at these national surfing championships that a judging system was created to allow amateur South African surfers to compete for a place in the national Springbok team that travelled to the Third World Surfing Titles held two months later at Ocean Beach in San Diego, California, USA. The introduction of this judging system during the 1966 Surfriding Championships throws light on the development of three trends in the history of (stand-up board) surfing in South Africa : firstly, how local surfing sought out international acceptance as a sport; secondly, why surfing came to be seen as a largely white sporting and leisure activity; and thirdly, why women’s surfing has not receive the same attention as that of men’s. This article explores how the emergence of a competitive surfing culture, typified by the codification of judging competitive surfriding on boards of between nine and eleven feet in length, infused local surf culture with a need for global recognition as a surfing “nation” and, at the same time, accommodated racial segregation and a male-dominated gender order. The contention of this article is that the cultural logic embedded in the 1966 judging criteria has left a legacy for future generations of South African surfers; one that privileged a hegemonic white masculinity located in competitive surfing. Today, though an understanding of the making of surfing’s past and that exemplar masculinity, it becomes possible to promote new cultural configurations in South African surfing that are racially inclusive, gender equitable, and not determined by competitive prowess alone.
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评判冲浪文化:1966年在德班举行的纳塔尔和南非冲浪锦标赛期间白人典型男子气概的形成
1966年纳塔尔和南非冲浪锦标赛是南非冲浪运动历史上的一个创始时刻,塑造了南非冲浪文化的未来轨迹。它的做法是优先考虑参加冲浪比赛的白人男性的阳刚冲浪风格。锦标赛于7月的第一个周末在南非的“冲浪之城”德班举行,当时正值冬季的高峰季节。这是在新成立的国家冲浪协会——南非冲浪者协会的赞助下举办的第一次全国冲浪比赛。正是在这些全国冲浪锦标赛上,一个裁判系统被建立起来,允许业余的南非冲浪运动员参加国家跳羚队的比赛,参加两个月后在美国加利福尼亚州圣地亚哥海洋海滩举行的第三届世界冲浪锦标赛。这种裁判制度在1966年冲浪锦标赛上的引入,揭示了南非(立板)冲浪运动历史上的三个发展趋势:首先,当地冲浪运动是如何获得国际认可的;其次,为什么冲浪被视为主要是白人的运动和休闲活动;第三,为什么女子冲浪没有像男子一样受到重视。这篇文章探讨了一种竞争性冲浪文化的出现,其典型特征是在9到11英尺长的冲浪板上评判竞争性冲浪的法制化,这种文化为当地冲浪文化注入了对全球冲浪“国家”认可的需求,同时也适应了种族隔离和男性主导的性别秩序。本文的论点是,1966年评判标准中嵌入的文化逻辑为未来几代南非冲浪者留下了遗产;在竞争激烈的冲浪运动中,白人男子气概被赋予了特权。今天,虽然我们了解了冲浪运动的历史和那种典型的男子气概,但在南非冲浪运动中推广新的文化形态已经成为可能,这种文化形态是种族包容的,性别平等的,而不仅仅是由竞争实力决定的。
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