DESTINOTIONS

IF 0.5 3区 社会学 Q3 CULTURAL STUDIES Interventions-International Journal of Postcolonial Studies Pub Date : 2011-06-01 DOI:10.1080/1369801X.2011.573231
S. Hakim
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引用次数: 2

Abstract

Abstract In this essay I look at three biographic documentaries of some Maghrebi women, mostly rai singers. By this choice of material, I mean to relate the theoretic and the ‘actual’ by way of addressing one of the difficulties nomadology as a theory has been facing. I argue that far from the homogeneous outcome that nomadology theorizes for those who are subjected to the aggression of the war machine, the outcome of the nomad–sedate encounter can produce many diverse results which are rarely considered by nomadology, a system that hardly perceives the ‘other’, or any category outside itself. It can never achieve the singularity it opts for, partly because of its own internal contradictory need to create and dismantle an outside, partly because it is blind to the possibility of the other's self-specification.
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在这篇文章中,我看了三部马格里布妇女的传记纪录片,主要是拉伊歌手。通过这种材料的选择,我的意思是通过解决游牧学作为一种理论所面临的困难之一,将理论与“实际”联系起来。我认为,对于那些遭受战争机器侵略的人来说,游牧学理论的结果是同质的,而游牧与镇静的相遇的结果可以产生许多不同的结果,而游牧学很少考虑这些结果,游牧学是一个几乎无法感知“他者”或自身之外的任何类别的系统。它永远无法实现它所选择的独特性,部分原因是它自己内部的矛盾需要创造和拆除一个外部,部分原因是它对他者自我规范的可能性视而不见。
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CiteScore
1.60
自引率
0.00%
发文量
47
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