A Caprice – The Summit of Ibsen’s Theatrical Career

Abstract

Erik Bøgh’s A Caprice (En Kaprice) premiered 7 September 1859 at the Norwegian Theatre in Christiania (Oslo), staged by theatre manager Henrik Ibsen. The production then ran for another 35 performances during the 1859–1860 season. In relation to the population of the town, this is by far the greatest box-office success in the history of regular theatres in Norway. No wonder that Michael Meyer understood A Caprice as the ultimate example of the unholy trade Ibsen was forced into as a theatre manager. According to Meyer, in staging A Caprice Ibsen was for the only time in his life “rebuked for truckling to the box-office” (Meyer 1971, 166). The contemporary criticism claimed that Ibsen, by staging A Caprice and other dance performances, was reducing the Norwegian Theatre in Christiania to a kind of amusement park for the lower classes (Morgenbladet Nr. 278, 9.10.1859). Contrary to prevailing opinion, we will in the following present A Caprice as the summit of Ibsen’s theatrical career and underline that both this and other dance productions staged by Ibsen in this period were not at all mere amusement for the lower classes but instead important expressions of artistic creativity and development.