The Culturally Conservative View of Jazz in America: A Historical and Critical Analysis

Q3 Arts and Humanities Jazz Perspectives Pub Date : 2015-09-02 DOI:10.1080/17494060.2016.1257732
Andrew Sanchirico
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引用次数: 5

Abstract

Abstract Jazz in America, once identified with social rebellion and political protest, has since the 1980s become closely associated with cultural conservatism, a belief system that places high value on traditionalism. Jazz, from this perspective, embodies traditional American values and norms, particularly those related to the nation’s democratic principles. Those who perceive jazz in this manner commonly depict the music as a model of democracy that serves as a guide to individual behavior. This essay has two basic objectives: the first is to trace the historical development of the culturally conservative view of jazz; the second is to critically analyze this theoretical perspective. The essay’s goal is to combine the historical and critical analyses into a comprehensive examination of the culturally conservative view of jazz in America as it has evolved since its initial conceptualization by Ralph Ellison.
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美国爵士乐的文化保守观:历史与批判分析
爵士乐在美国一度被认为是社会反叛和政治抗议,自20世纪80年代以来,它与文化保守主义密切相关,这是一种高度重视传统主义的信仰体系。从这个角度来看,爵士乐体现了美国传统的价值观和规范,特别是那些与国家民主原则有关的价值观和规范。那些以这种方式看待爵士乐的人通常把这种音乐描绘成民主的典范,作为个人行为的指南。本文有两个基本目的:一是追溯爵士乐文化保守观的历史发展;二是对这一理论视角进行批判性分析。这篇文章的目标是将历史和批判性的分析结合起来,对美国爵士乐的文化保守观点进行全面的考察,因为它自拉尔夫·埃里森最初的概念化以来一直在发展。
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Jazz Perspectives
Jazz Perspectives Arts and Humanities-Music
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