A Print after Raphael's Ajax and Cassandra and Another Antique Cameo

Abstract

intended as a particular individual. As such, j. Bartsch XIV.343.461, school of Marcantonio the figure does not encourage iconographie Raimondi (attr. Agostino Veneziano) after Raphael curiosity. The second deterrent is that until the re-emergence of Raphael's drawing and Quirinal Dioscuri, and to look no further.4 Rubinstein's identification of its source as As Rubinstein explained, the sardonyx an antique gem, it would have seemed cameo reproduced in her article (Fig. 4) plausible simply to assume that the pose of was illustrated not as the specific source the Warrior was adapted from one of the for the drawing, but 'to show that a gem i. Bartsch XIV. 343.461, school of Marcantonio Raimondi (attr. Agostino Veneziano) after Raphael