{"title":"Digital Media, Participatory Culture, and Difficult Heritage: Online Remediation and the Trans-Atlantic Slave Trade","authors":"C. Morgan, Pierre Marc Pallascio","doi":"10.1080/21619441.2015.1124594","DOIUrl":null,"url":null,"abstract":"A diverse and changing array of digital media have been used to present heritage online. While websites have been created for online heritage outreach for nearly two decades, social media is employed increasingly to complement and in some cases replace the use of websites. These same social media are used by stakeholders as a form of participatory culture, to create communities and to discuss heritage independently of narratives offered by official institutions such as museums, memorials, and universities. With difficult or “dark” heritage—places of memory centering on deaths, disasters, and atrocities—these online representations and conversations can be deeply contested. Examining the websites and social media of difficult heritage, with an emphasis on the trans-Atlantic slave trade provides insights into the efficacy of online resources provided by official institutions, as well as the unofficial, participatory communities of stakeholders who use social media for collective memories.","PeriodicalId":37778,"journal":{"name":"Journal of African Diaspora Archaeology and Heritage","volume":"4 1","pages":"260 - 278"},"PeriodicalIF":0.0000,"publicationDate":"2015-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/21619441.2015.1124594","citationCount":"17","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of African Diaspora Archaeology and Heritage","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/21619441.2015.1124594","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 17
Abstract
A diverse and changing array of digital media have been used to present heritage online. While websites have been created for online heritage outreach for nearly two decades, social media is employed increasingly to complement and in some cases replace the use of websites. These same social media are used by stakeholders as a form of participatory culture, to create communities and to discuss heritage independently of narratives offered by official institutions such as museums, memorials, and universities. With difficult or “dark” heritage—places of memory centering on deaths, disasters, and atrocities—these online representations and conversations can be deeply contested. Examining the websites and social media of difficult heritage, with an emphasis on the trans-Atlantic slave trade provides insights into the efficacy of online resources provided by official institutions, as well as the unofficial, participatory communities of stakeholders who use social media for collective memories.
期刊介绍:
Journal of African Diaspora Archaeology and Heritage provides a focal point for peer-reviewed publications in interdisciplinary studies in archaeology, history, material culture, and heritage dynamics concerning African descendant populations and cultures across the globe. The Journal invites articles on broad topics, including the historical processes of culture, economics, gender, power, and racialization operating within and upon African descendant communities. We seek to engage scholarly, professional, and community perspectives on the social dynamics and historical legacies of African descendant cultures and communities worldwide. The Journal publishes research articles and essays that review developments in these interdisciplinary fields.