“The Botome of Goddes Secretes”: 1 Corinthians and A Midsummer Night’s Dream

Q3 Arts and Humanities Renaissance Drama Pub Date : 2015-03-01 DOI:10.1086/680467
Andrew Barnaby
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Abstract

They [the actors playing the mechanicals] had no idea what was happening behind the studio doors and of course we [the actors playing the characters at Theseus’s court] had never seen the play they now began to perform [Pyramus and Thisby]. They appeared as under-rehearsed as Bottom and his colleagues were in the text. Philip Locke as Peter Quince acted as the play’s Prologue and its genuine prompter, holding the Penguin edition of the Dream in his hand. The court found this very funny at first, but as our jokes at their expense grew more desperate, the actual substance of their play together with the strangeness of our environment began to work upon us and by the time we had reached the death of Pyramus and Thisby, their innocence had a weirdly moving effect on us.
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“神的秘密之底”:《哥林多前书》和《仲夏夜之梦》
他们(扮演机械的演员)不知道工作室门后面发生了什么,当然我们(在忒修斯宫廷里扮演角色的演员)从来没有看过他们现在开始表演的戏(皮拉摩斯和提斯比)。他们看起来就像博尔顿和他的同事们在文本中一样缺乏排练。菲利普·洛克饰演的彼得·昆斯是这部剧的开场白和真正的提词人,他手里拿着企鹅版的《梦》。一开始,法庭觉得这很有趣,但随着我们拿他们开玩笑变得越来越令人绝望,他们游戏的实质和我们环境的陌生开始影响我们,当我们讲到皮拉摩斯和提斯比的死亡时,他们的天真对我们产生了一种奇怪的感人效果。
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来源期刊
Renaissance Drama
Renaissance Drama Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
8
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