Fletcher’s Promiscuous Poetics

Q3 Arts and Humanities Renaissance Drama Pub Date : 2016-03-01 DOI:10.1086/685788
Brian Pietras
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引用次数: 0

Abstract

these uninspired lines of Petrarchan longing come from John Fletcher’s pastoral tragicomedy The Faithful Shepherdess (ca. 1608)—and, on the whole, they would seem to reaffirm the generally bad opinion critics have had of the play since its first, disastrous staging in the early seventeenth century. In their prefatory poems to the first edition, Ben Jonson, George Chapman, and Francis Beaumont all defended Fletcher’s play as too elegant and refined for the vulgar, illiterate, play-going rabble; it was (they assured him) “both a Poeme and a play,” a maligned masterpiece of “innocent
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弗莱彻的《杂乱的诗学
这些毫无灵感的彼得拉克式的渴望台词出自约翰·弗莱彻的田园悲喜剧《忠实的牧羊女》(约1608年)——总的来说,它们似乎重申了自17世纪早期这部剧第一次灾难性的上演以来,评论家们对它的普遍负面看法。本·琼森、乔治·查普曼和弗朗西斯·博蒙特在第一版的序言诗中都为弗莱彻的剧本辩护,认为对于庸俗、不识字、喜欢戏剧的乌合之众来说,弗莱彻的剧本过于优雅精致;它(他们向他保证)“既是一首诗,也是一部戏剧”,是一部饱受诟病的“天真”杰作
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来源期刊
Renaissance Drama
Renaissance Drama Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
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0.00%
发文量
8
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