III. On musical Duodenes, or the theory of constructing instruments with fixed tones in just or practically just intonation

A. Ellis
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引用次数: 1

Abstract

This paper is intended to complete and supplement three papers on Music which I have already read before the Royal Society’. It contains a more complete theory of temperament, embracing that indicated by Helmholtz2, but not worked out by him, and its application to the theory of constructing musical instruments with an intonation practically just, without change of fingering, and, if there are three or four performers, without change of mechanism. The name Duodene refers to that collection of twelve notes, suitable to the present manuals, which is made the unit of construction.
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3关于音乐上的多音理论,或者是用正确的或几乎正确的音调构造乐器的理论
这篇论文是为了完成和补充我在皇家学会之前读过的三篇关于音乐的论文。它包含了一个更完整的气质理论,包含了Helmholtz2所指出的,但不是由他提出的,并将其应用于构造乐器的理论,这种乐器的音准实际上是公正的,不改变指法,如果有三四个演奏者,不改变机械。Duodene这个名字是指十二个音符的集合,适合于现在的手册,这是一个结构单位。
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