Rethinking the nineteenth-century museum via the Ottoman imperial museum

IF 0.3 3区 文学 0 LITERATURE Literature Compass Pub Date : 2023-05-17 DOI:10.1111/lic3.12710
Sezen Ünlüönen
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Abstract

Most accounts of the Ottoman Imperial Museum view the museum primarily as a Westernization project for the Ottoman Empire. In such readings, the museum follows a teleological trajectory toward the European norm. This article reads several of the early practices of the Ottoman Imperial Museum (such as interactive museum displays and the sultan's casual gifting of museum holdings to other European monarchs), not as hiccups on the way to Westernization, but rather as a distinctly Ottoman vision of museology and imperial power. Seen in this light, the early history of the Ottoman Imperial Museum challenges the standard account of the nineteenth-century imperial museum as a site where imperial subjects are molded and where the empire displays its might. Instead, in the case of the Ottoman Imperial Museum, the scientific and orderly organization of the museum artifacts become a testament not to imperial power, but to imperial powerlessness.

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通过奥斯曼帝国博物馆反思十九世纪博物馆
大多数关于奥斯曼帝国博物馆的论述都将其视为奥斯曼帝国的西化项目。在这样的解读中,博物馆遵循的是欧洲标准的目的论轨迹。本文将奥斯曼帝国博物馆的一些早期做法(如博物馆互动展示和苏丹随意将博物馆藏品赠送给其他欧洲君主)解读为不是西化道路上的小插曲,而是奥斯曼帝国对博物馆学和帝国权力的独特看法。从这个角度来看,奥斯曼帝国博物馆的早期历史挑战了 19 世纪帝国博物馆作为塑造帝国臣民和展示帝国力量的场所的标准说法。相反,在奥斯曼帝国博物馆的案例中,科学有序地组织博物馆文物不是帝国权力的证明,而是帝国无能的证明。
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来源期刊
Literature Compass
Literature Compass LITERATURE-
CiteScore
0.50
自引率
33.30%
发文量
39
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