Marta Minujín's Destructive Intervention

IF 0.2 2区 艺术学 0 ART ARTMargins Pub Date : 2020-06-25 DOI:10.1162/ARTM_A_00263
Michaëla de Lacaze Mohrmann
{"title":"Marta Minujín's Destructive Intervention","authors":"Michaëla de Lacaze Mohrmann","doi":"10.1162/ARTM_A_00263","DOIUrl":null,"url":null,"abstract":"On June 6, 1963, after living in Paris for several months, Argentine artist Marta Minujin performed her first happening, The Destruction, at the Impasse Ronsin, the now legendary abode of many mode...","PeriodicalId":41203,"journal":{"name":"ARTMargins","volume":"9 1","pages":"61-84"},"PeriodicalIF":0.2000,"publicationDate":"2020-06-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"ARTMargins","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1162/ARTM_A_00263","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0

Abstract

On June 6, 1963, after living in Paris for several months, Argentine artist Marta Minujin performed her first happening, The Destruction, at the Impasse Ronsin, the now legendary abode of many mode...
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Marta minuji的破坏性干预
1963年6月6日,在巴黎生活了几个月后,阿根廷艺术家玛尔塔·米努金(Marta Minujin)在“僵局龙辛”(Impasse Ronsin)表演了她的第一部作品《毁灭》(The Destruction),这里现在是许多模特的传奇住所……
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
ARTMargins
ARTMargins ART-
CiteScore
0.10
自引率
0.00%
发文量
16
期刊介绍: ARTMargins publishes scholarly articles and essays about contemporary art, media, architecture, and critical theory. ARTMargins studies art practices and visual culture in the emerging global margins, from North Africa and the Middle East to the Americas, Eastern and Western Europe, Asia and Australasia. The journal acts as a forum for scholars, theoreticians, and critics from a variety of disciplines who are interested in art and politics in transitional countries and regions; postsocialism and neo-liberalism; postmodernism and postcolonialism, and their critiques; and the problem of global art and global art history and its methodologies.
期刊最新文献
“Real Time Story Telling”: A Performance-Art Festival in the Context of International Networks during the Transitional Period in Poland before and after 1989 Ñandutí: Crossroads of Two Worlds: The Lineage and Magic of Ñandutí Modern Art, Indigeneity, and Nationalism in Paraguay: An Introduction to Josefina Plá's “Ñandutí Crossroads of Two Worlds” Militant Mappings: A Template Toolkit The Problem with Film: Murayama Tomoyoshi's Variations on the Visible
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1