The War in Chechnya in Russian Cinematographic Representations: Biopolitical Patriotism in 'Unsovereign' Times

IF 0.1 Q4 HISTORY Transcultural Studies Pub Date : 2016-11-22 DOI:10.1163/23751606-01201006
A. Makarychev
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引用次数: 3

Abstract

The paper explores the identitarian context of Russia’s cinematic narratives on the war in Chechnya. It draws on various strategies of war representation through films and uncovers their ideological and political underpinnings. The author explicates how the cinematographic imagery grounded in the Chechen war experience boosts the hegemonic discourse of the Kremlin, and then discusses whether fictional films deliver critical or counter-hegemonic arguments.
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俄罗斯电影表现中的车臣战争:“非主权”时代的生命政治爱国主义
本文探讨了俄罗斯关于车臣战争的电影叙事的同一性语境。它借鉴了通过电影表现战争的各种策略,并揭示了它们的意识形态和政治基础。作者阐述了基于车臣战争经验的电影图像如何推动克里姆林宫的霸权话语,然后讨论了虚构电影是否传递了批判或反霸权的论点。
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来源期刊
CiteScore
0.20
自引率
0.00%
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0
审稿时长
30 weeks
期刊介绍: The Journal of Transcultural Studies is a peer-reviewed, open-access journal committed to promoting the knowledge and research of transculturality in all disciplines. It is published by the Cluster of Excellence “Asia and Europe in a Global Context: The Dynamics of Transculturality” of the Ruprecht-Karls-Universität Heidelberg.
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