Television Dependency in Independent Kazakhstan

Gazette Pub Date : 2005-08-01 DOI:10.1177/0016549205054282
A. O. Thomas
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引用次数: 7

Abstract

With little written on media in this oft-forgotten part of Asia, this article seeks to analyse a model of television development within a key post-Soviet state. The research found that there was little programme production or adaptation in Kazakhstan but much done by Russian television on which the former’s channels were dependent. The Russian programming was either broadcast directly, relayed in part by domestic channels or comprised individual programmes purchased for use locally. Thus this article argues that Russia acts as a sub-franchisor in redistributing global creative products, exploiting commonalities in the regional geolinguistic market created through its past communist imperialism. A national policy placing increasing emphasis on Kazak-ization of media has triggered demand for ‘localized’ programming in this transitional Central Asian economy. Yet given the market imperatives of privatized media, this has encouraged the dubbing and adaptation of successful regional and global programmes formats in Russian, rather than production of local originals. In doing so, Kazakhstan may be discerned to be supporting Russia in its role as a semi-periphery country in global cultural production and export, thus mediating capitalism within its non-European region of transitional economies.
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独立的哈萨克斯坦对电视的依赖
在这个经常被遗忘的亚洲地区,很少有关于媒体的文章,本文试图分析一个重要的后苏联国家的电视发展模式。研究发现,哈萨克斯坦几乎没有节目制作或改编,但前者的频道所依赖的俄罗斯电视台做了很多。俄罗斯的节目要么直接播出,部分由国内频道转播,要么包括购买供当地使用的个别节目。因此,本文认为,俄罗斯在重新分配全球创意产品方面扮演了一个特许经销商的角色,利用其过去的共产主义帝国主义创造的区域地理语言市场中的共性。国家政策日益强调媒体的哈萨克化,在这个转型中的中亚经济体引发了对“本地化”节目的需求。然而,鉴于私有化媒体的市场需求,这鼓励了用俄语配音和改编成功的区域和全球节目格式,而不是制作当地原创节目。在这样做的过程中,哈萨克斯坦可能被认为是在支持俄罗斯作为全球文化生产和出口的半外围国家的角色,从而在其非欧洲转型经济区域内调解资本主义。
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