‘What harbour shelters peace?’ On the opera Peter Grimes, exclusion and stigma

Lisa Conlan
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Abstract

Benjamin Britten’s opera Peter Grimes premiered in 1945 and has since enjoyed lasting popular and critical acclaim. Its central character is a fisherman driven to suicide by circumstances beyond his control. It has a wide political and social resonance and is a testament to the damaging psychological effects of exclusion and stigma.
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“什么港湾能庇护和平?”关于歌剧《彼得·格莱姆斯》,排斥和耻辱
本杰明·布里顿的歌剧《彼得·格莱姆斯》于1945年首演,此后一直受到大众和评论界的好评。它的中心人物是一个渔夫,被他无法控制的环境驱使而自杀。它具有广泛的政治和社会共鸣,并证明了排斥和耻辱的破坏性心理影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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