Sovereignty in a Minor Key

IF 1.1 2区 社会学 Q2 ANTHROPOLOGY Public Culture Pub Date : 2021-01-01 DOI:10.1215/08992363-8742160
T. B. Hansen
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引用次数: 2

Abstract

Theories of sovereignty in the twentieth century are generally based on a teleological “out-of-Europe” narrative where the modern, centralized nation-state form gradually spread across the world to be the foundation of the international order. In this article, the author reflects on how the conceptualization of sovereignty may change if one begins a global account of modern sovereignty not from the heart of Western Europe but from the complex arrangements of “distributed sovereignty” that emerged in the Indian Ocean and other colonized territories from the eighteenth century onward. These arrangements were organized as multiple layers of dependency and provisional domination, captured well by Eric Beverley's term minor sovereignty. Thinking through sovereignty in a minor key allows us to see sovereignty less as a foundation of states and societies and more as a performative category, emerging in a dialectic between promises of order, prosperity, and law, and the realities of violent domination and occupation.
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小调中的主权
二十世纪的主权理论通常基于目的论的“欧洲之外”叙事,即现代的中央集权的民族国家形式逐渐蔓延到世界各地,成为国际秩序的基础。在这篇文章中,作者思考了如果一个人不是从西欧的中心,而是从18世纪以来在印度洋和其他殖民地出现的复杂的“分布式主权”安排开始对现代主权进行全球描述,主权的概念可能会发生怎样的变化。这些安排被组织成多层的从属关系和临时统治,埃里克·贝弗利(Eric Beverley)的“小主权”一词很好地描述了这一点。以小调思考主权,让我们不再把主权视为国家和社会的基础,而更多地将其视为一种表演范畴,在秩序、繁荣和法律的承诺与暴力统治和占领的现实之间的辩证关系中出现。
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来源期刊
Public Culture
Public Culture Multiple-
CiteScore
2.10
自引率
6.70%
发文量
34
期刊介绍: Public Culture is a peer-reviewed interdisciplinary journal of cultural studies, published three times a year—in January, May, and September. It is sponsored by the Department of Media, Culture, and Communication, NYU. A four-time CELJ award winner, Public Culture has been publishing field-defining ethnographies and analyses of the cultural politics of globalization for over thirty years. The journal provides a forum for the discussion of the places and occasions where cultural, social, and political differences emerge as public phenomena, manifested in everything from highly particular and localized events in popular or folk culture to global advertising, consumption, and information networks. Artists, activists, and scholars, both well-established and younger, from across the humanities and social sciences and around the world, present some of their most innovative and exciting work in the pages of Public Culture.
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