The Museum, the Colony, and the Planet: Territories of the Imperial Imagination

IF 1.1 2区 社会学 Q2 ANTHROPOLOGY Public Culture Pub Date : 2021-01-01 DOI:10.1215/08992363-8742232
A. Appadurai
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引用次数: 2

Abstract

The primary argument of this essay is that the modern Western museum form is a critical site in which to understand the five centuries in which Europe dominated much of the rest of the world. In this imperial epoch, the world was shrunk to the museum and the museum was expanded to represent the colonized world, and nonhuman objects and human subjects were trafficked in connected ways. Now that we may be entering a planetary epoch, and the beginning of the end of globalization, there is an opportunity to build a new way to collect, curate, display, and circulate material forms outside the empire of the modernist museum.
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博物馆、殖民地和星球:帝国想象的领土
这篇文章的主要论点是,现代西方博物馆的形式是一个重要的网站,以了解五个世纪以来,欧洲主导了世界的大部分地区。在这个帝国时代,世界被缩小到博物馆,博物馆被扩大到代表被殖民的世界,非人类的物品和人类的主体被以相互关联的方式贩运。现在,我们可能正在进入一个行星时代,全球化结束的开始,有机会在现代主义博物馆帝国之外建立一种新的方式来收集、策划、展示和流通物质形式。
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来源期刊
Public Culture
Public Culture Multiple-
CiteScore
2.10
自引率
6.70%
发文量
34
期刊介绍: Public Culture is a peer-reviewed interdisciplinary journal of cultural studies, published three times a year—in January, May, and September. It is sponsored by the Department of Media, Culture, and Communication, NYU. A four-time CELJ award winner, Public Culture has been publishing field-defining ethnographies and analyses of the cultural politics of globalization for over thirty years. The journal provides a forum for the discussion of the places and occasions where cultural, social, and political differences emerge as public phenomena, manifested in everything from highly particular and localized events in popular or folk culture to global advertising, consumption, and information networks. Artists, activists, and scholars, both well-established and younger, from across the humanities and social sciences and around the world, present some of their most innovative and exciting work in the pages of Public Culture.
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