“But the forest does know it...” Persistence of omusitu in the BaNande culture and thought (Democratic Republic of Congo)

Q2 Arts and Humanities Kervan Pub Date : 2016-12-08 DOI:10.13135/1825-263X/1883
Francesco Remotti
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Abstract

The BaNande, farmers of the hills of the North Kivu (Democratic Republic of the Congo), call themselves proudly abakondi , the young and strong men who cut down the trees, who destroy the forest. Almost their entire culture is based on the principle of the “cut” ( eritwa ), as well as their social and political organization is due to the historical achievement of their territory wrested from the forest. Even the erotic activity is designed with the typical categories of abakondi . But the traditional culture of the BaNande was not geared only to this sense of conquest of the forest. The author of this article tries to show how the forest ( omusitu ) would be made to survive in different ways. First, not all of the forest was destroyed. Indeed islands of forest remain here and there, such as supplies of food, timber, medicines, as memory of what had been destroyed, and as headquarters of the forest spirits. Second, whenever a chief died, he was buried on his hill not underground, but imprisoned by the trees of the forest planted all around his body. These tree tombs, real historical monuments of vegetable nature, are called by the BaNande amahero and are designed as “small forest” (singular akasitu ). Finally it was diffused in the nande culture the awareness that the destruction of the forest doesn’t happen with impunity. The pride of abakondi is replaced by the recognition of omusitu (forest) as autonomous world, which demands to be at least partially preserved, both physically in the territory, both as an entity with even “consciousness”. Once, the BaNande thought of not being able to break free from this consciousness, and this ecological anxiety emerged especially in the most significant moments of the reproduction of their culture, i.e. when in the olusumba (their rite of initiation in the forest) they had to form their new men. But this conscience belongs to the past: on the hills of the Bunande the “spirits of the forest” have disappeared, replaced by the “spirit of the capitalism”.
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“可是森林知道……”音乐在巴南德文化和思想中的延续(刚果民主共和国)
巴南德人是北基伍省(刚果民主共和国)山区的农民,他们自豪地称自己为abakondi,这些年轻强壮的人砍伐树木,破坏森林。几乎他们的整个文化都是基于“砍伐”(厄立特里亚)的原则,以及他们的社会和政治组织是由于他们从森林中夺取领土的历史成就。甚至情色活动也被设计成abakondi的典型类别。但是,巴南德人的传统文化不仅仅是为了这种征服森林的意识。这篇文章的作者试图展示如何使森林(omusitu)以不同的方式生存。首先,并不是所有的森林都被破坏了。的确,森林岛屿到处都有,比如食物、木材、药品的供应,作为对被破坏的东西的记忆,作为森林精神的总部。其次,无论酋长何时去世,他都被埋在他的山上,而不是地下,而是被周围种植的森林树木囚禁起来。这些树墓,真正的植物性历史遗迹,被巴南德阿马希罗人称为“小森林”(单数akasitu)。最后,它在南德文化中传播了一种意识,即森林的破坏不会不受惩罚。abakondi的骄傲被omusitu(森林)作为自治世界的认可所取代,它要求至少部分地保留,无论是在领土上,还是作为一个具有“意识”的实体。曾经,巴南德人认为无法摆脱这种意识,这种生态焦虑尤其出现在他们文化繁殖的最重要时刻,即在olusumba(他们在森林中的启蒙仪式)中,他们必须形成他们的新男人。但这种良知属于过去:在布南德的山丘上,“森林精神”已经消失,取而代之的是“资本主义精神”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Kervan
Kervan Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
0
审稿时长
18 weeks
期刊介绍: The journal has three main aims. First of all, it aims at encouraging interdisciplinary research on Asia and Africa, maintaining high research standards. Second, by providing a global forum for Asian and African scholars, it promotes dialogue between the global academic community and civil society, emphasizing patterns and tendencies that go beyond national borders and are globally relevant. The third aim for a specialized academic journal is to widen the opportunities for publishing worthy scholarly studies, to stimulate debate, to create an ideal agora where ideas and research results can be compared and contrasted. Another challenge is to combine a scientific approach and the interest for cultural debate, artistic production, biographic narrative, etcetera. This journal wants to be original (even hybrid) also in its structure, where academic rigor should not hinder access to the vitality of experience and of artistic and cultural production.
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