Note a margine su natura demoniaca, sessualità e donna in Bhagavadgītā As It Is di A. C. Bhaktivedānta Svāmī Prabhupāda

Q2 Arts and Humanities Kervan Pub Date : 2018-11-23 DOI:10.13135/1825-263X/2876
Bryan De Notariis
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Abstract

The article analyses three recurring concepts in the Bhagavadgītā As It Is written by Bhaktivedānta Svāmī Prabhupāda (the founder of the Hare Kṛṣṇa movement): the demoniac nature, the sexuality, and the woman. The research investigates the use and meaning of these three concepts and how they are linked to each other by a basic doctrine of aversion of materiality. The doctrine of Svāmī Prabhupāda will be defined a “Traditional Worldly Asceticism” as a result of a comparison between the Hare Kṛṣṇa movement and the works and ideas of western scholars such as Wilhelm Halbfass and Max Weber.
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请注意,在a.C.Bhaktivedaneta Svami Prabhupāda的《薄伽梵歌》中,有一个魔鬼般的自然边缘,一个唐娜
本文分析了Bhaktivedānta Svāmī Prabhupāda(海尔Kṛṣṇa运动的创始人)所写的《博伽梵歌》中三个反复出现的概念:恶魔的本性、性和女人。本研究探讨了这三个概念的使用和意义,以及它们如何通过厌恶物质性的基本学说相互联系。将海尔Kṛṣṇa运动与halfass、Max Weber等西方学者的著作和思想进行比较,将其定义为“传统世俗禁欲主义”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Kervan
Kervan Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
0
审稿时长
18 weeks
期刊介绍: The journal has three main aims. First of all, it aims at encouraging interdisciplinary research on Asia and Africa, maintaining high research standards. Second, by providing a global forum for Asian and African scholars, it promotes dialogue between the global academic community and civil society, emphasizing patterns and tendencies that go beyond national borders and are globally relevant. The third aim for a specialized academic journal is to widen the opportunities for publishing worthy scholarly studies, to stimulate debate, to create an ideal agora where ideas and research results can be compared and contrasted. Another challenge is to combine a scientific approach and the interest for cultural debate, artistic production, biographic narrative, etcetera. This journal wants to be original (even hybrid) also in its structure, where academic rigor should not hinder access to the vitality of experience and of artistic and cultural production.
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