Moving Targets: Elliott-Automation and the Dawn of the Computer Age in Britain, 1947-1967 (review)

IF 0.7 3区 哲学 Q2 HISTORY & PHILOSOPHY OF SCIENCE Technology and Culture Pub Date : 2012-07-30 DOI:10.1353/TECH.2012.0105
Marie Hicks
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引用次数: 2

Abstract

738 about new approaches to regional transport needs. Put simply, why did the private automobile again triumph, again at taxpayer expense? In this interesting exploration, I wished Nunnally had also drawn on history; Christine Meisner Rosen explored similar issues in The Limits of Power: Great Fires and the Process of City Growth in America (1986). The other well-built chapter is the only one by a historian. John Anfinson looks at two earlier and pivotal episodes when Minneapolis collided with its own river. His essay offers some perspective on remembering and forgetting events both pivotal and passing. In the Gilded Age, Minneapolis became a major center for flour milling, thanks to the Saint Anthony Falls at the city’s center. But in 1869, a new miller tried to get into the business by building a tunnel under the river, diverting a portion of the water to a less-crowded site downstream. Instead the tunnel collapsed, drawing into its bed nearly the entire flow of the Mississippi. This disaster threatened the rationale for the city itself, and the problem continued, more or less, until the Army Corps of Engineers built a solution across the river in 1876. Anfinson also explores Minneapolis’s tangled efforts to use the Mississippi both to derive safe drinking water and dispose of wastewater—a contradiction that claimed many victims for too long. Anfinson tells both stories well, and his implicit conclusion suggests this book will languish unread: we are better at forgetting. Less-useful chapters here include a potted history of urban planning by Roger Miller that misses (and misreads) much of the historians’ literature on this subject, and an opening chapter by Thomas Fisher. An architect, Fisher ventures into history with an extended rumination on how American engineering—indeed American society—shifted into a dangerous “fracture-critical”mode during and after the 1950s. Long on posturing and moralizing, the essay substitutes coincidence and conjecture for evidence. For that matter, none of the contributors shows any awareness of the work of Henry Petroski, a distinguished civil engineer with a special interest in bridges and the country’s leading authority on failure in engineering.
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移动目标:艾略特自动化和英国计算机时代的黎明,1947-1967(回顾)
738关于解决区域交通需求的新方法。简单地说,为什么私人汽车又一次以纳税人的钱取得了胜利?在这个有趣的探索中,我希望纳纳利也能借鉴历史;克里斯汀·迈斯纳·罗森在《权力的极限:大火与美国城市发展的过程》(1986)中探讨了类似的问题。另一个精心编写的章节是唯一一个由历史学家撰写的章节。约翰·安芬森(John Anfinson)着眼于两个更早的关键事件,即明尼阿波利斯与自己的河流相撞。他的文章提供了一些关于记忆和遗忘关键事件和逝去事件的观点。在镀金时代,由于市中心的圣安东尼瀑布,明尼阿波利斯成为了一个主要的面粉加工中心。但在1869年,一个新的磨坊主试图进入这个行业,他在河下修建了一条隧道,将一部分水转移到下游一个不那么拥挤的地方。相反,隧道坍塌了,几乎把整个密西西比河的水流都吸进了河床。这场灾难威胁到城市本身的基本原理,问题或多或少地继续存在,直到1876年美国陆军工程兵团(Army Corps of Engineers)在河对岸修建了一个解决方案。安芬森还探讨了明尼阿波利斯在利用密西西比河获取安全饮用水和处理废水方面所做的错综复杂的努力——这是一个长期造成许多受害者的矛盾。安芬森把这两个故事都讲得很好,他含蓄的结论表明,这本书如果不读就会变得乏味:我们更擅长遗忘。书中不太有用的章节包括罗杰·米勒(Roger Miller)撰写的关于城市规划的简短历史,其中遗漏(甚至误读)了许多历史学家关于这一主题的文献,以及托马斯·费舍尔(Thomas Fisher)撰写的开篇章节。作为一名建筑师,费舍尔冒险进入历史,对美国工程——实际上是美国社会——在20世纪50年代前后如何转变为危险的“断裂-批判”模式进行了深入的反思。这篇文章长时间的故作姿态和说教,用巧合和猜想代替了证据。就这一点而言,没有一个撰稿人表现出对亨利·彼得斯基(Henry Petroski)的工作有任何了解,他是一位杰出的土木工程师,对桥梁有着特殊的兴趣,也是该国在工程故障方面的领先权威。
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来源期刊
Technology and Culture
Technology and Culture 社会科学-科学史与科学哲学
CiteScore
0.60
自引率
14.30%
发文量
225
审稿时长
>12 weeks
期刊介绍: Technology and Culture, the preeminent journal of the history of technology, draws on scholarship in diverse disciplines to publish insightful pieces intended for general readers as well as specialists. Subscribers include scientists, engineers, anthropologists, sociologists, economists, museum curators, archivists, scholars, librarians, educators, historians, and many others. In addition to scholarly essays, each issue features 30-40 book reviews and reviews of new museum exhibitions. To illuminate important debates and draw attention to specific topics, the journal occasionally publishes thematic issues. Technology and Culture is the official journal of the Society for the History of Technology (SHOT).
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