Overcoming Gnosticism: Hans Jonas, Hans Blumenberg, and the Legitimacy of the Natural World

IF 0.4 2区 哲学 0 PHILOSOPHY JOURNAL OF THE HISTORY OF IDEAS Pub Date : 2003-10-01 DOI:10.1353/JHI.2004.0006
B. Lazier
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引用次数: 38

Abstract

In 1984, about a decade before his own murder, the Romanian scholar of religion loan Culianu complained of a more widespread, if decidedly less grisly form of assault.1 The gnostics, he declared in a moment of high jocularity, had "taken hold of the whole world, and we were not aware of it. It is a mixed feeling of anxiety and admiration, since I cannot refrain myself from thinking that these alien body-snatchers have done a remarkable job indeed."2Though offered in jest, Culianu's designation "alien body-snatchers" quite accurately sums up what has remained since 1934 the leading view of gnosticism as a delimited, identifiable phenomenon. In that year appeared the first monumental volume of Gnosis und spatantiker Geist (Gnosis and the Spirit of Late Antiquity) composed by the young Jewish philosopher Hans Jonas as a dissertation under Martin Heidegger and the theologian Rudolf Bultmann. Over the next sixty years Jonas returned again and again to the movement as he defined it. Above all, gnosticism had as its guiding principle the notion of das Fremde. The term includes in its linguistic domain not only "the alien," by which it is most usually translated, but its cognates as well: the strange, the foreign, the other, the unknown, the uncanny, and the like. This sense of alienation is wildly overdetermined in gnostic theology: man is alienated from himself, from a fully transcendent God, and most powerfully from the material, sensuous universe in which he lives, created as it was by an evil, malicious demiurge. Such anti-cosmism could license both ascetic retreat from the world as well as an antinomian descent into the worldly abyss, with the intent to defeat it from within. The locution "body-snatcher" now acquires relevance, for gnostic theology made impossible any positive appraisal of the physical body, or of the physical world at all for that matter. As the political philosopher Leo Strauss put it in a letter to Jonas, gnosticism may well have been the most radical rebellion in Western history against the Greek notion of physis.In stylized terms Jonas's philosophical career represents what I would like to call gnosticism's "third overcoming." Such terms signal an allegiance to the work of the German philosopher Hans Blumenberg. But they signal a departure as well. In Legitimitat der Neuzeit (Legitimacy of the Modern Age, 1966), Blumenberg undertook what must count among the most ambitious revisions of Western intellectual history ever ventured. Against a rash of attacks on the modern age as an ill-concealed, secularized derivative of an earlier Christian era, he stepped up in its defense. he linked the emergence of the modern age-defined preeminently by man's need for self-assertion, to act in the world-to a "second overcoming" of gnosticism at the end of the Middle Ages. The gnostic spirit he found revived by the nominalism and theological voluntarism of latemedieval scholastic theology, a loose confluence of thought centripetally bound by the black hole of the deus absconditus or hidden god. Whereas gnosticism's first overcoming was Augustine's work and but a partial success, its second, and for Blumenberg "final" overcoming was the work of an ethos of human self-assertion best instantiated by the scientific program of Francis Bacon.To argue for its third overcoming in the late 1920s and '30s is therefore to take leave of Blumenberg's account, if also to extend it. The condition for the possibility of this argument, of course, is that gnosticism had in fact returned. Gnosticism, or at the very least a host of phenomena going by the name and generally understood as such, did indeed return, and with a vengeance-on the occult scene, in philosophy, in theology of all persuasions, even in natural-scientific discourse. This period also witnessed the return of the theological problem attending the birth (in Blumenberg's view) of both the Middle and Modern Ages: that ofcoram deo, or man's sufficiency before God. …
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克服诺斯替主义:汉斯·乔纳斯、汉斯·布鲁门伯格和自然世界的合法性
1984年,大约在他自己被谋杀的十年前,罗马尼亚宗教学者库利亚努(loan Culianu)抱怨说,一种更广泛的攻击,虽然显然没有那么可怕他开玩笑地说,诺斯替派已经“控制了整个世界,而我们却没有意识到这一点”。这是一种焦虑和钦佩的混合感觉,因为我无法抑制自己的想法,这些外星人的身体掠夺者确实做了一项了不起的工作。虽然库利亚努是在开玩笑,但他对“外星人身体掠夺者”的称呼相当准确地总结了自1934年以来诺斯替主义作为一种划定的、可识别的现象的主要观点。在那一年,由年轻的犹太哲学家汉斯·约纳斯作为马丁·海德格尔和神学家鲁道夫·布尔特曼的论文撰写的《灵知与晚期古代精神》(Gnosis und spatantiker Geist)的第一卷巨著问世。在接下来的六十年里,乔纳斯一次又一次地回到他所定义的运动中。最重要的是,诺斯替主义的指导原则是自由的概念。这个词在它的语言学领域中不仅包括“异类”,它通常被翻译成异类,还包括它的同源词:奇怪的、外来的、他者、未知的、不可思议的等等。这种疏离感在诺斯替神学中被过度确定了:人与自己疏离,与一个完全超越的上帝疏离,最严重的是与他所生活的物质的、感性的宇宙疏离,这个宇宙是由一个邪恶的、恶毒的造物主创造的。这样的反宇宙主义既可以允许苦行僧从世界撤退,也可以允许反律法主义坠入世俗的深渊,意图从内部打败它。“身体掠夺者”这个词现在获得了相关性,因为诺斯替神学使得对身体或物质世界的任何积极评价都不可能。正如政治哲学家利奥·施特劳斯(Leo Strauss)在给约拿斯的一封信中所说,诺斯替主义很可能是西方历史上对希腊物理学概念最激进的反叛。用程式化的术语来说,乔纳斯的哲学生涯代表了我想称之为诺斯替主义的“第三次克服”。这些术语表明了对德国哲学家汉斯·布卢门伯格(Hans Blumenberg)作品的忠诚。但它们也标志着一种背离。在《现代的合法性》(1966)一书中,布鲁门伯格进行了西方思想史上最雄心勃勃的修正。面对各种攻击,他站出来为现代辩护,认为现代是早期基督教时代难以掩饰的、世俗化的衍生物。他将现代时代的出现与中世纪末期诺斯替主义的“第二次战胜”联系在一起——现代的出现主要是由人类对自我主张和在世界上行动的需要所定义的。他发现诺斯替精神在中世纪晚期经院神学的唯名论和神学唯意志论中复活了,这是一种松散的思想汇合,被隐藏的上帝的黑洞向心束缚着。然而诺斯替主义的第一次克服是奥古斯丁的工作,但只是部分成功,它的第二次,也是布卢门伯格的“最终”克服是人类自我主张的精神的工作,弗朗西斯·培根的科学计划是最好的例子。因此,在20世纪20年代末和30年代为其第三次克服进行辩论,就等于离开了布鲁门伯格的描述,如果也要扩展它的话。当然,这个论点成立的前提是诺斯替主义实际上已经回归。诺斯替主义,或者至少是一群被称为诺斯替主义并被普遍理解为诺斯替主义的现象,确实以一种复仇的方式回归了——在神秘学领域,在哲学领域,在所有信仰的神学领域,甚至在自然科学的论述中。这一时期也见证了伴随中世纪和近代诞生的神学问题的回归(在布卢门伯格看来):coram deo,即人在上帝面前的充分性。…
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来源期刊
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期刊介绍: Since its inception in 1940, the Journal of the History of Ideas has served as a medium for the publication of research in intellectual history that is of common interest to scholars and students in a wide range of fields. It is committed to encouraging diversity in regional coverage, chronological range, and methodological approaches. JHI defines intellectual history expansively and ecumenically, including the histories of philosophy, of literature and the arts, of the natural and social sciences, of religion, and of political thought. It also encourages scholarship at the intersections of cultural and intellectual history — for example, the history of the book and of visual culture.
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