Toward a National Disaster Response Protocol

Randy Silverman
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引用次数: 12

Abstract

Since the Florence flood of November 4, 1966, the concept of an or ganized disaster response for cultural property has been a focus for conservators. In 1976, a decade after the Arno River had retreated from Florence's museums, libraries, and historic churches, a Library of Congress planning conference convened to initiate a U.S. national preservation program. At that meeting Stephen Salmon noted a "glaring . . . lack of preparedness for disaster [s] by almost all American librar ies."1 Now, forty years since that calamitous flood, little has changed in terms of being able to initiate a nationally coordinated plan in the face of calamitous events that threaten cultural property in all collect ing institutions. In fact, it is now clearly recognized that only one in five cultural institutions has created an emergency response plan that encompasses collections,2 and it is likely that some or all of these plans will prove ineffectual in the case of a regional disaster. Furthermore, according to meteorologists at the National Oceanographic and Atmo spheric Administration, we now face in the next twenty to thirty years the possibility of stronger, more damaging storms capable of threatening our cultural institutions.3 Ample evidence is at hand that a national disaster response protocol is urgently needed if we are to ensure that irreplaceable cultural collec tions are not needlessly lost. This protocol must be able to be activated quickly to deliver appropriate assistance to affected institutions and, accordingly, be unencumbered by day-to-day bureaucracies that his torically have delayed response time and increased collection damage. This essay describes two recent large institutional catastrophes as well as the damage wrought by Hurricane Katrina, an unprecedented U.S. regional disaster, in an effort to underscore the importance of creating a nonprofit entity?the National Disaster Center for Cultural Property (NDC)?capable of implementing an effective response in situations where local resources and expertise are overwhelmed and cultural property is at risk.
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制定国家灾害应对协议
自1966年11月4日佛罗伦萨洪水以来,对文化财产进行有组织的灾难应对的概念一直是保护人员关注的焦点。1976年,在阿诺河从佛罗伦萨的博物馆、图书馆和历史悠久的教堂中消失十年之后,国会图书馆召开了一次计划会议,启动了一项美国国家保护计划。在那次会议上,斯蒂芬·萨尔蒙注意到一个“明显的……几乎所有的美国图书馆都缺乏对灾难的准备。“现在,距离那场灾难性的洪水已经过去了40年,在面对威胁所有收藏机构的文化财产的灾难性事件时,能够发起一项全国协调的计划方面几乎没有什么变化。事实上,现在人们清楚地认识到,只有五分之一的文化机构制定了包括藏品在内的应急计划2,而且在发生区域性灾难的情况下,这些计划很可能部分或全部无效。此外,根据美国国家海洋和大气管理局的气象学家的说法,在未来的二、三十年里,我们可能面临更强、更具破坏性的风暴,这些风暴有可能威胁到我们的文化机构有充分的证据表明,如果我们要确保不可替代的文化收藏品不会不必要地丢失,就迫切需要制定国家灾害应对议定书。该议定书必须能够迅速启动,以便向受影响的机构提供适当的援助,因此不受日常官僚作风的阻碍,这些官僚作风历来拖延了反应时间,增加了收集损失。本文描述了最近发生的两起大型机构灾难,以及卡特里娜飓风造成的破坏,这是美国前所未有的地区灾难,旨在强调创建非营利实体的重要性。国家文物灾害中心(NDC)?能够在当地资源和专门知识不堪重负和文化财产受到威胁的情况下实施有效的应对措施。
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