{"title":"Veiled Truth In Enduring Love And Atonement","authors":"Anca Turcu","doi":"10.1515/msas-2015-0010","DOIUrl":null,"url":null,"abstract":"Abstract The article tries to demonstrate that Ian McEwan’s novels, Enduring Love and Atonement, are similarly concerned with the way in which fiction writing is more apt to veil “truth” than to unveil it, also to invite partial readings of “reality” than to offer wide-ranging perspectives on it.","PeriodicalId":53347,"journal":{"name":"Messages Sages and Ages","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2015-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Messages Sages and Ages","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/msas-2015-0010","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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Abstract
Abstract The article tries to demonstrate that Ian McEwan’s novels, Enduring Love and Atonement, are similarly concerned with the way in which fiction writing is more apt to veil “truth” than to unveil it, also to invite partial readings of “reality” than to offer wide-ranging perspectives on it.
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