Visual Culture and Ancient History

IF 0.9 2区 历史学 0 CLASSICS CLASSICAL ANTIQUITY Pub Date : 2015-04-01 DOI:10.1525/CA.2015.34.1.33
J. Elsner
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引用次数: 4

Abstract

Through a specific example, this paper explores the problems of empiricism and ideology in the uses of material-cultural and visual evidence for the writing of ancient history. The focus is on an Athenian documentary stele with a fine relief from the late fifth century bc, the history of its publications, and their failure to account for the totality of the object9s information—sculptural and epigraphic—let alone the range of rhetorical ambiguities that its texts and images implied in their fifth-century context. While the paper reflects on the Samos Stele (the meanings of the dexiosis of the figures represented, and the repeated references to the “goodness” of the Samians with respect to the Athenians, for instance), it also considers the broader hermeneutic problems of approaching the different discourses ofword and imagewithin antiquity andworries about the distortions introduced into ancient history by modern formulations, descriptions, and translations of the past.
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视觉文化与古代历史
通过一个具体的例子,本文探讨了经验主义和意识形态在古代历史写作中使用物质文化和视觉证据的问题。本书的重点是一块公元前五世纪晚期的雅典文献石碑,它有精美的浮雕,它的出版物的历史,以及它们未能解释对象的全部信息——雕塑和铭文——更不用说它的文本和图像在五世纪的背景下所隐含的修辞歧义的范围。虽然本文反映了萨摩斯石碑(所代表的人物的dexiosis的含义,以及反复提到的萨摩斯人相对于雅典人的“善良”,例如),它也考虑了更广泛的解释学问题,即接近古代文字和图像的不同话语,以及对现代表述、描述和翻译引入古代历史的扭曲的担忧。
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来源期刊
CiteScore
1.10
自引率
20.00%
发文量
6
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