Imaginários midiáticos: uma reflexão a partir de narrativas intertextuais e imagens híbridas

R. Covaleski
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Abstract

Within the context of the semiology of image, this article investigates the recurrent adoption of the iconicity of cultural signs for the construction of media imaginary. It deals with contemporary narratives that seek to produce veridical connotation, which drives the image producers to the cultural relativism of discourses – signs for interpretation, recognition and stimulation of the public they dialogue with. Excited by current examples of creative, conscious, estimated value of the constitution of contemporary communication, also from the cultural symbolic relations – feeders of media imaginary, the research proposes a theoretical re ection on the object and the descriptive reading of examples that fall into intertextual narratives and contemplate hybrid images. Its references are theoretically based on processes of hybridization, intersections between art and communication in the creative process of advertising, and intertextuality in media content.
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媒介想象:来自互文叙事和混合图像的反思
在图像符号学的语境下,本文探讨了文化符号的象似性在媒介想象建构中的反复运用。它涉及寻求产生真实内涵的当代叙事,这将图像生产者推向话语的文化相对主义-他们对话的公众的解释,认可和刺激的符号。本研究受当代传播构成的创造性、自觉、估计价值的实例的启发,也从媒介想象的文化符号关系馈馈者出发,对落入互文叙事和思考混合图像的实例的对象和描述性阅读提出了理论反思。它的理论参考是基于杂交的过程,广告创作过程中艺术与传播的交集,以及媒体内容的互文性。
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发文量
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审稿时长
30 weeks
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