Remitologização contemporânea: a (re)conciliação da ciência e da magia em “Guerra nas Estrelas”

S. Anaz, Fernanda Manzo Ceretta
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引用次数: 1

Abstract

Palavras-chave: comunicacao; imaginario; arquetipo; mitologia; Guerra nas Estrelas. Abstract: Contemporary Remythologization: the (re)conciliation of science and magic in "Star Wars" - Gilbert Durand has identified that there is a process of return of the myths to a first cultural plan in the West, at least since the late 19th century. The popularity of some film and television productions released over the last four decades seems to confirm that this remythologizing process is not only underway but has already reached new levels in an era in which audiovisual media are in evidence. Based in Durand's concept of imaginary, seen as an anthropological path, this article analyzes how the film series "Star Wars" has contributed to this contemporary remythologizing process. The thesis hence explored is that, by upgrading the founding myths and archetypes in order to build its own mythology, "Star Wars" has tied up again some scientific-technological elements, which gradually took part in the Western imaginary since the Age of Enlightenment, with some fantastic and magical ones, which were relegated to the underground and devalued ever since.
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当代参考:《星球大战》中科学与魔法的(再)调和
Palavras-chave: comunicacao;imaginario;arquetipo;mitologia;Guerra nas Estrelas。摘要:当代神话化:《星球大战》中科学与魔法的(再)调和——吉尔伯特·杜兰德认为,至少从19世纪末开始,神话在西方有一个回归最初文化计划的过程。在过去的四十年里,一些电影和电视作品的流行似乎证实了这种重新神话化的过程不仅在进行中,而且在一个视听媒体明显存在的时代已经达到了新的水平。本文以杜兰德的想象概念为基础,从人类学的角度分析了《星球大战》系列电影对当代神话化进程的影响。因此,本文探讨的是,《星球大战》通过对其创始神话和原型的升级,以构建自己的神话,将启蒙时代以来逐渐融入西方想象的一些科技元素重新捆绑在一起,其中一些奇幻和神奇的元素被降级到地下,从此贬值。
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发文量
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审稿时长
30 weeks
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