As espirais dos arquivos:Lento retorno e as paisagens de um filme sem telas

Abstract

The paper presents, describes and analyzes the screenplay entitled Slow homecoming , by Wim Wenders, which was written in 1982 and has never been filmed. The work is an adaptation of the homonymous tetralogy by Peter Handke and represents a shift in landscape aesthetics, both in film and literature. This work led me to ask more speci c questions about the role of the script in narratives that make up a certain history of cinema. Furthermore, I gradually discovered the meaning and value of a script, whether historical or narrative, for a nonexistent lm. The script is de ned as an archive, as conceived by Jacques Derrida, who also points to the future and might announce spectral aspects of film history.