Liminalumas Angelos Carter apsakymų rinkinyje Kruvinasis kambarys

Daina Miniotaitė
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Abstract

[full article, abstract in English; abstract in Lithuanian] The article explores the theme of liminality – liminal experience and liminal human beings in Angela Carter’s collection of stories The Bloody Chamber in an attempt to reveal the complexity of human – female and male – identity, its transformations and outcomes. In literary and cultural theory, liminality is defined as a “space or state which is situated in between other, usually more clearly defined, spaces, periods or identities.” Thus, liminal human beings do not have one form of existence, they are naturally ambiguous. In the stories, Carter investigates liminality through half-beings who represent two sides of personality which are at odds with each other and do not make a harmonious whole, as well as the image of the bloody chamber. Moreover, neither of the character’s states is fully accepted. Carter considers the ways how to deal with each of them in order to regain integrity of mind and claim their full humanity. Keywords: liminality, liminal experience, liminal human beings, half-beings, beasts, werewolves, vampires. DOI: https://doi.org/10.15823/zz.2018.16
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Angela Carter故事中的Liminality
[全文,英文摘要;本文探讨了安吉拉·卡特故事集《血室》中的阈限主题——阈限体验和阈限人类,试图揭示人类——女性和男性——身份的复杂性及其转变和结果。在文学和文化理论中,阈限被定义为“处于其他通常更明确定义的空间、时期或身份之间的空间或状态”。因此,阈限人类没有一种存在形式,他们自然是模棱两可的。在这些故事中,卡特通过代表不和谐的人格的两方面的半人体以及血腥的密室的形象来调查阈值性。此外,角色的两种状态都没有被完全接受。卡特考虑了如何处理他们每一个人,以重新获得心灵的完整性,并声称他们的全部人性。关键词:阈限,阈限体验,阈限人类,半人半兽,狼人,吸血鬼。DOI: https://doi.org/10.15823/zz.2018.16
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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