{"title":"Creating the historical memory of Siberia in Russian literature of the 1820s: the ballad “Ermak” by A. N. Muravyov","authors":"E. Anisimova","doi":"10.17223/18137083/82/6","DOIUrl":null,"url":null,"abstract":"The paper focuses on the genre aspect of literary works, in which the historical memory of the conquest of Siberia was generated. The ballad “Ermak” written by A. N. Muravyov, considered in terms of historiography and fiction of its time, served as the primary source. The study has revealed that the ballad genre model developed in the 1810s was implemented in the material not common for ballads, i.e. the history of Siberia. Such an approach allowed the poet to revise the “Ermak’s plot” taken from the late-medieval chronicles and poetry of modern times in the context of current historical and cultural challenges of the post- Napoleonic era. Muravyov was the first to adapt the “imported” European genre of a literary ballad with its chronotope to the thematic space of the Russian eastern periphery and presented the history of Siberia as a fully-fledged and meaningful part of the country’s history. Thus, it is not the ethnographic details of the journey beyond the Urals, but the problem of historical memory and the symbolic monument to Ermak that the poet focuses on. The constructive and semantic dominant of this genre, i.e. the invasion of the past into the present in the guise of “alive” and “dead” allowed the poet to actualize the memory of the conquest of Siberia in the national memory and revise the image of Ermak image within a framework of the genre form and the spirit of the time.","PeriodicalId":53939,"journal":{"name":"Sibirskii Filologicheskii Zhurnal","volume":"1 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Sibirskii Filologicheskii Zhurnal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.17223/18137083/82/6","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LANGUAGE & LINGUISTICS","Score":null,"Total":0}
引用次数: 0
Abstract
The paper focuses on the genre aspect of literary works, in which the historical memory of the conquest of Siberia was generated. The ballad “Ermak” written by A. N. Muravyov, considered in terms of historiography and fiction of its time, served as the primary source. The study has revealed that the ballad genre model developed in the 1810s was implemented in the material not common for ballads, i.e. the history of Siberia. Such an approach allowed the poet to revise the “Ermak’s plot” taken from the late-medieval chronicles and poetry of modern times in the context of current historical and cultural challenges of the post- Napoleonic era. Muravyov was the first to adapt the “imported” European genre of a literary ballad with its chronotope to the thematic space of the Russian eastern periphery and presented the history of Siberia as a fully-fledged and meaningful part of the country’s history. Thus, it is not the ethnographic details of the journey beyond the Urals, but the problem of historical memory and the symbolic monument to Ermak that the poet focuses on. The constructive and semantic dominant of this genre, i.e. the invasion of the past into the present in the guise of “alive” and “dead” allowed the poet to actualize the memory of the conquest of Siberia in the national memory and revise the image of Ermak image within a framework of the genre form and the spirit of the time.
本文着重研究文学作品的体裁方面,在体裁方面产生了征服西伯利亚的历史记忆。a·n·穆拉维约夫(A. N. Muravyov)写的叙事诗《埃尔马克》(Ermak)被认为是当时史学和小说的主要来源。研究表明,19世纪10年代发展起来的民谣体裁模式是在民谣中不常见的材料中实现的,即西伯利亚的历史。这种方法使诗人能够在拿破仑时代后的历史和文化挑战的背景下修改从中世纪晚期编年史和现代诗歌中提取的“埃尔马克的情节”。穆拉维约夫是第一个将“舶来品”的欧洲文学民谣流派与它的时间旋律结合到俄罗斯东部边缘的主题空间的人,并将西伯利亚的历史作为国家历史中一个成熟而有意义的部分呈现出来。因此,诗人关注的不是乌拉尔山脉之外的民族志细节,而是历史记忆问题和埃尔马克的象征性纪念碑。这一体裁的建构性和语义性主导,即以“生”与“死”为外衣的过去对现在的入侵,使诗人得以在民族记忆中实现征服西伯利亚的记忆,并在体裁形式与时代精神的框架内对埃尔马克形象进行修正。