{"title":"Dimensions of Indigeneity in Highland Odisha, India","authors":"P. Berger","doi":"10.18874/AE.73.1-2.03","DOIUrl":null,"url":null,"abstract":"This article describes and analyzes forms of indigeneity with reference to a highland community in Odisha called Gadaba. Three types of indigeneity are distinguished: indigenous indigeneity, ascribed indigeneity, and claimed indigeneity. The first concerns local sacrificial practices through which indigeneity is constructed. Significantly, this type of indigeneity is local, symmetric, relational, and the Gadaba are themselves the creators of this representation. Different forms of ascribed indigeneity, by contrast, assign indigeneity to the Gadaba unilaterally, and the relationship between those who ascribe and the Gadaba is asymmetrical and monolithic. The third type of indigeneity is as yet in a nascent state as only a few Gadaba voice an indigenous identity in the larger political field of the state, and no cultural performances are referred to nor do political organizations exist to support such a claim.","PeriodicalId":53972,"journal":{"name":"Asian Ethnology","volume":"73 1","pages":"19-37"},"PeriodicalIF":0.6000,"publicationDate":"2014-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"5","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Asian Ethnology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18874/AE.73.1-2.03","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 5
Abstract
This article describes and analyzes forms of indigeneity with reference to a highland community in Odisha called Gadaba. Three types of indigeneity are distinguished: indigenous indigeneity, ascribed indigeneity, and claimed indigeneity. The first concerns local sacrificial practices through which indigeneity is constructed. Significantly, this type of indigeneity is local, symmetric, relational, and the Gadaba are themselves the creators of this representation. Different forms of ascribed indigeneity, by contrast, assign indigeneity to the Gadaba unilaterally, and the relationship between those who ascribe and the Gadaba is asymmetrical and monolithic. The third type of indigeneity is as yet in a nascent state as only a few Gadaba voice an indigenous identity in the larger political field of the state, and no cultural performances are referred to nor do political organizations exist to support such a claim.
期刊介绍:
Asian Ethnology (ISSN 1882–6865) is a double-blind peer-reviewed journal registered as an Open Access Journal with all the contents freely downloadable. Please read the information on our open access and copyright policies. A list of monographs that were published under the journal''s former names, Folklore Studies and Asian Folklore Studies, appear here. Asian Ethnology is dedicated to the promotion of scholarly research on the peoples and cultures of Asia. It began in China as Folklore Studies in 1942 and later moved to Japan where its name was changed to Asian Folklore Studies. It is edited and published at Nanzan University in Nagoya, Japan, with the cooperation of Boston University. Asian Ethnology seeks to deepen understanding and further the pursuit of knowledge about the peoples and cultures of Asia. We wish to facilitate intellectual exchange between Asia and the rest of the world, and particularly welcome submissions from scholars based in Asia. The journal presents formal essays and analyses, research reports, and critical book reviews relating to a wide range of topical categories, including: -narratives, performances, and other forms of cultural representation -popular religious concepts -vernacular approaches to health and healing -local ecological/environmental knowledge -collective memory and uses of the past -cultural transformations in diaspora -transnational flows -material culture -museology -visual culture