Laughter during the Great Patriotic War in the Newspaper Magnitogorskii rabochii

N. Chernova, N. N. Makarova
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引用次数: 1

Abstract

The history of humor is not new to the Russian historiography. At the same time, over the last decade, the research into laughter has been in demand and relevant, especially within the study of the history of emotions. The author suggests a specific example of the study of laughter in the local context. The article examines laughter during the period of the Great Patriotic War based on the newspaper “Magnitogorskii rabochii” in two ways. The first layer is made up of “guest” humorous sketches presented by the works of “TASS Windows” and front-line newspapers. The second — feuilletons, cartoons, humoresques posted on the pages of the city newspaper. Their authors were local journalists and artists. Local authors are understood as those who resided in the city during the Great Patriotic War. The former basically broadcast images of front-line life, explained military events, consoled people demonstrating shortcomings of the enemy and the dignity of the Soviet army. The latter, during the most difficult moments on the fronts, shifted the attention of residents to pressing urban problems, largely typical of Magnitogorsk: officials, roads, baths, etc. The article pays special attention to the influence of front-line events on laughter practices, forms of humor, themes and functions performed by it. The latter underwent significant changes during the war years. If at the beginning of the war, laughter performed an explanatory and anesthetic function helping the townspeople to cope with the difficult time of incomprehension of the events, of mobilization, of the first losses, etc., then in 1942 the substitution function became key: front-line humor was replaced by local humor. The end of the war required humor to make an effort to revive positive moods in the city, to ensure a gradual return to a peaceful existence.
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卫国战争期间报纸上的笑声马格尼托戈斯基
幽默史对俄罗斯史学来说并不新鲜。与此同时,在过去的十年里,对笑的研究一直很有需求,也很有意义,尤其是在对情绪历史的研究中。作者提出了一个在当地背景下研究笑的具体例子。本文以《马格尼托格尔斯基报》为背景,从两个方面考察了卫国战争时期的笑声。第一层由“塔斯之窗”和一线报纸作品呈现的“嘉宾”幽默小品组成。第二种是刊登在城市报纸上的讽刺画、卡通画和幽默作品。它们的作者是当地的记者和艺术家。本地作家是指卫国战争期间居住在城市的人。前者基本上播放前线生活的画面,解释军事事件,安慰人们展示敌人的缺点和苏联军队的尊严。后者在前线最困难的时刻,将居民的注意力转移到紧迫的城市问题上,这些问题在很大程度上是马格尼托哥尔斯克的典型问题:官员、道路、浴室等。本文特别关注了前线事件对笑的实践、幽默的形式、主题和功能的影响。后者在战争年代经历了重大变化。如果说在战争开始时,笑声起到了解释和麻醉的作用,帮助城镇居民度过对事件、动员、第一次损失等不理解的困难时期,那么在1942年,替代功能变得关键:前线幽默被当地幽默所取代。战争的结束需要幽默来努力恢复城市的积极情绪,以确保逐步恢复和平的存在。
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
17
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