Courthouse Iconography and Chayesian Judical Practice

William H. Simon
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引用次数: 4

Abstract

This contribution to a symposium on Judith Resnik and Dennis Curtis’s Representing Justice considers what courthouse imagery and design might be appropriate for “Chayesian” judicial practice. The imagery and design that Resnik and Curtis examine largely connotes traditional litigation - lawsuits that are bi-polar, retrospective, and self-contained. However, judicial practice is increasingly Chayesian - concerned with forward-looking efforts to coordinate multipolar problems with sprawling party structures. Traditional iconography is inadequate to Chayesian practice because it celebrates equilibrium and communicates information about cases one-by-one. By contrast, Chayesian intervention often induces productive disequilibrium and it can only be made transparent through expression that aggregates information across individual claims. I suggest that a promising source of inspiration for an iconography of Chayesian practice would be modern factory design in the style associated with the Toyota Production System. Toyota-style manufacturing has produced a self-conscious and sophisticated set of visual principles designed to express and implement the disequilibrating and aggregating features that the Toyota approach shares with Chayesian judicial practice.
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法院图像学与柴氏司法实践
这篇文章是对朱迪思·雷斯尼克和丹尼斯·柯蒂斯的《代表正义》的研讨会的贡献,它考虑了法院的图像和设计可能适合“切耶斯”司法实践。雷斯尼克和柯蒂斯研究的意象和设计在很大程度上暗示了传统的诉讼——具有两极化、追溯性和自成一体的诉讼。然而,司法实践越来越偏向于柴耶斯主义——关注协调多极问题和庞大的政党结构的前瞻性努力。传统的图像学对于Chayesian实践来说是不够的,因为它庆祝均衡,并一个接一个地传达案例信息。相比之下,Chayesian干预通常会导致生产不平衡,并且只能通过表达汇总个人主张的信息来实现透明。我认为柴氏实践的一个有希望的灵感来源是与丰田生产系统相关的现代工厂设计风格。丰田式的制造业产生了一套自我意识和复杂的视觉原则,旨在表达和实现丰田方法与柴氏司法实践共享的不平衡和聚合特征。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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