From church to pyramid

S. Rostas
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Abstract

Sometime after coming to Mexico City in the early twentieth century, the Concheros gradually became involved in the growing cultural interest in the Aztec past. By the last decades, however, they found themselves in an antagonistic situation with those dancers who called themselves the Mexica who, although they performed the same dances, espoused mexicanidad a strong neo-nationalistic and neo-indianist ideology. The Mexica reject Spanish colonialism and have discarded the clearly Catholic ritual practices of the Concheros who habitually dance outside Churches: the Mexica’s preference is for pyramids. The article, using historical and fieldwork data, examines the growing use of archaeological sites as they have slowly been refurbished, focusing on two: Teotihuacan and Cholula. Importantly, in the last two decades, a gradual rapprochement between the Concheros and the Mexica has occurred as the overall ethos of the dance has been changing once again.
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从教堂到金字塔
在20世纪初来到墨西哥城后的某个时候,康切罗一家逐渐对阿兹特克人的过去产生了浓厚的文化兴趣。然而,在过去的几十年里,他们发现自己与那些自称为墨西卡人的舞者处于敌对状态,尽管他们表演同样的舞蹈,但他们支持一种强烈的新民族主义和新印第安主义意识形态。墨西卡人拒绝西班牙殖民主义,并抛弃了孔彻罗斯人惯常在教堂外跳舞的明显的天主教仪式:墨西卡人偏爱金字塔。这篇文章利用历史和田野调查数据,考察了考古遗址在缓慢翻新过程中越来越多的使用,重点关注了两个:特奥蒂瓦坎和乔卢拉。重要的是,在过去的二十年里,随着舞蹈的整体精神再次发生变化,康切洛人与墨西卡人之间逐渐和解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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发文量
6
审稿时长
36 weeks
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