The banquet of the gods is a mess

Mattijs Van de Port
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Abstract

Como as imagens fazem você pensar sobre a religião? This question was send to me by Rodrigo Toniol, organizer of the Jornadas sobre Alternativas Religiosas na América Latina in Rio de Janeiro, and was to be at the heart of a public dialogue with my colleague Hugo José Suárez. The rather general formulation of the question could obviously lead us into a whole lot of different directions: how are one’s thoughts provoked by saintly statues, byzantine mosaics, buddhist mandalas, Islamic calligraphy? How to understand the materiality of religion? Or how to understand religious prohibitions of making images? Yet I immediately took up Rodrigo’s question as an invitation to reflect on my move from being an anthropologist who writes about religion to an anthropologist who films religion. Not in the least because camera-based research and image making was the immediate common ground with Hugo.
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众神的宴会一团糟
Como as imagens fazem você pensar sobre a religious ?这个问题是罗德里戈·托尼奥(Rodrigo Toniol)寄给我的,他是巴西里约热内卢“拉丁美洲裔美国人的宗教替代方案”(Jornadas sobre Alternativas religioas na amacriica Latina)的组织者,也是我与同事雨果·乔斯维尔(Hugo jos Suárez)公开对话的核心问题。这个问题的一般表述显然会把我们引向许多不同的方向:一个人的思想是如何被神圣的雕像、拜占庭式的马赛克、佛教的曼陀罗、伊斯兰教的书法所激发的?如何理解宗教的物质性?或者如何理解制作图像的宗教禁忌?然而,我立刻接受了罗德里戈的问题,把它当作一个邀请,让我反思自己从一个写宗教文章的人类学家,到一个拍摄宗教的人类学家的转变。至少因为基于相机的研究和图像制作是雨果的直接共同点。
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发文量
6
审稿时长
36 weeks
期刊最新文献
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