{"title":"Stratigraphy of the wall paintings in the main church of the Praskvica Monastery","authors":"D. Vojvodic","doi":"10.2298/ZOG1438153V","DOIUrl":null,"url":null,"abstract":"In the katholikon of the monastery of Praskvica there are remains of two layers of post-Byzantine wall-painting: the earlier, from the third quarter of the sixteenth century, and later, from the first half of the seventeenth century, which is the conclusion based on stylistic analysis and technical features. The portions of frescoes belonging to one or the other layer can be clearly distinguished from one another and the content of the surviving representations read more thoroughly than before. It seems that the remains of wall-painting on what originally was the west facade of the church also belong to the earlier layer. It is possible that the church was not frescoed in the lifetime of its ktetor, Balsa III Balsic. [Projekat Ministarstva nauke Republike Srbije, br. 177036: Srpska srednjovekovna umetnost i njen evropski kontekst i br. 177032: Tradicija, inovacija i identitet u vizantijskom svetu]","PeriodicalId":56170,"journal":{"name":"Zograf","volume":"21 1","pages":"153-163"},"PeriodicalIF":0.1000,"publicationDate":"2014-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Zograf","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2298/ZOG1438153V","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
Abstract
In the katholikon of the monastery of Praskvica there are remains of two layers of post-Byzantine wall-painting: the earlier, from the third quarter of the sixteenth century, and later, from the first half of the seventeenth century, which is the conclusion based on stylistic analysis and technical features. The portions of frescoes belonging to one or the other layer can be clearly distinguished from one another and the content of the surviving representations read more thoroughly than before. It seems that the remains of wall-painting on what originally was the west facade of the church also belong to the earlier layer. It is possible that the church was not frescoed in the lifetime of its ktetor, Balsa III Balsic. [Projekat Ministarstva nauke Republike Srbije, br. 177036: Srpska srednjovekovna umetnost i njen evropski kontekst i br. 177032: Tradicija, inovacija i identitet u vizantijskom svetu]
在Praskvica修道院的katholikon中,有两层后拜占庭壁画的遗迹:较早的是16世纪第三季度的壁画,较晚的是17世纪上半叶的壁画,这是基于风格分析和技术特征得出的结论。属于其中一层或另一层的壁画部分可以彼此清楚地区分开来,并且比以前更彻底地阅读幸存的表现形式的内容。原来是教堂西立面的壁画似乎也属于较早的一层。这座教堂可能在其主事巴尔萨三世(Balsa III Balsic)在世时没有壁画。[南斯拉夫]塞族共和国部长项目;[177036] Srpska srednjovekovna metnost, njen evropski kontekst .][177032: Tradicija, invacija i identitet u vizantijskom [j]