{"title":"Depictions of holy monks in the western bay of the Church of the Virgin in Studenica","authors":"Miloš Živković","doi":"10.2298/ZOG1539065Z","DOIUrl":null,"url":null,"abstract":"The study is dedicated to the figures of holy monks in the west bay of the Church of the Virgin in Studenica, painted during the restoration of the original murals in 1568. The paper seeks to establish the identity of some saints who were previously incorrectly identified, as well as the identity of those who were unobserved in previous studies. It also discusses to what extent the choice of holy monks to be depicted was determined by the original iconographic program. The research results confirm the hypothesis that has for long been present in scholarly literature; according to it, during the restoration of frescoes in the Studenica katholikon, the painters largely repeated the original painted program. Nevertheless, judging by the example of the holy monks depicted in west bay, it may be concluded that in some cases they departed from the original iconographic program. In selecting new saints to be depicted they must have relied on the Menologion. [Projekat Ministarstva nauke Republike Srbije, br. 177032: Tradicija, inovacija i identitet u vizantijskom svetu]","PeriodicalId":56170,"journal":{"name":"Zograf","volume":"39 1","pages":"65-90"},"PeriodicalIF":0.1000,"publicationDate":"2015-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Zograf","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2298/ZOG1539065Z","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
Abstract
The study is dedicated to the figures of holy monks in the west bay of the Church of the Virgin in Studenica, painted during the restoration of the original murals in 1568. The paper seeks to establish the identity of some saints who were previously incorrectly identified, as well as the identity of those who were unobserved in previous studies. It also discusses to what extent the choice of holy monks to be depicted was determined by the original iconographic program. The research results confirm the hypothesis that has for long been present in scholarly literature; according to it, during the restoration of frescoes in the Studenica katholikon, the painters largely repeated the original painted program. Nevertheless, judging by the example of the holy monks depicted in west bay, it may be concluded that in some cases they departed from the original iconographic program. In selecting new saints to be depicted they must have relied on the Menologion. [Projekat Ministarstva nauke Republike Srbije, br. 177032: Tradicija, inovacija i identitet u vizantijskom svetu]
这个书房是专门用来展示斯图德尼察圣母教堂西湾的圣僧形象的,这些形象是在1568年原始壁画修复期间绘制的。这篇论文试图确定一些以前被错误识别的圣徒的身份,以及那些在以前的研究中未被观察到的人的身份。它还讨论了在多大程度上选择被描绘的神圣僧侣是由原始的图像程序决定的。研究结果证实了学术文献中长期存在的假设;根据该报告,在修复斯图尼察·卡索利孔的壁画期间,画家们在很大程度上重复了原始的绘画程序。然而,从西湾描绘的圣僧的例子来看,可以得出结论,在某些情况下,他们偏离了原来的图像程序。在选择要描绘的新圣徒时,他们一定是依赖于Menologion。[南斯拉夫]塞族共和国部长项目;[177032: Tradicija, invacija i identitet u vizantijskom [j]